A Quote by Roger Glover

I came back from Japanese tour a broken man to find that one of my outside productions was very high in the charts and that was Nazareth. I stepped into another career and suddenly became a well-known producer.
AJ Styles, he is very well established, very well known. He had a name that was very well known. I would think, outside of WWE, his might be the most outside-recognized wrestling name in the world. Samoa Joe as well. He could have debuted straight to Raw or SmackDown, absolutely.
I came into having an artist's career in this very sheepish and directionless way. It's hard to explain, but I was 18 years old and I was ready to go to college; that was the next step for me. Then suddenly I had a song that blew up... and I had this artist's career and I was on tour with these big names and I didn't know what I was doing.
When the opportunity to choreograph came up, it was nothing more in my head but an opportunity. Then it suddenly became a career very quickly.
I stepped outside to smoke a J and when I came back to the room, everybody just seemed to move.
I wasn't even prepared to be an actress. I was 17 when I came out of high school, and suddenly became Miss World and then I became an actress.
When 'The Pacific' came around, I had to audition the old-fashioned way. It was the casting director and then the producer and then another producer and another producer and then Spielberg and Hanks.
Myrnin, who hadn't said much, suddenly reached out and wrapped his arms around her. She stiffened, shocked, and for a panicked second wondered whether he'd suddenly decided to snack on her neck... but it was just a hug. His body felt cold against hers, and way too close, but then he let go and stepped back. "You've done very well. I'm extremely proud of you," he said. There was a touch of color high in his pale cheeks. "Do go home now. And shower. You reek like the dead." Which, coming from a vampire, was pretty rich.
I'm very well known in the industry and relatively well known by people who are aficionados and what not, but outside of that - no.
The Regime has become so smug it can't tell the difference among the revolutionary, the innovative, or the merely various. The high command knows so little about the outside that if I came back with a fully equipped chemical laboratory and told them I'd found it in a cave, they'd probably believe that, so long as I brought it back piecemeal in my saddle bags, thus proving I hadn't known it was there beforehand.
Alongside the statement about one man's poison being another man's high, one might as well add that one man's saint can be another man's sore and one man's hero can turn out to be that man's biggest hangup.
I came to Leverkusen as a very young player and didn't have many Bundesliga games back then. I wasn't well known.
I went in for an audition [for As Good As It Gets], but the audition was with James L. Brooks. I was the first girl in that morning, and there was a whole waiting room of girls waiting to read for it. So I did my audition, and he asked me to step outside. So I stepped outside, and when he asked me to come back in, he looked at me, and he said, "Well, I'm very excited to work with you on set." And I was, like, "What?" I thought it was a Hollywood blow-off.
What people want is not what some would call imaginative and often austere productions but very lavish productions which cast back into the auditorium an image of their affluence.
It dates back to my dad and my uncles. They all got permits to go to Beverly Hills High School back in the '70s and early '80s. After they finished college, they came back and became football coaches there. So I was there with a permit.
The contemporary Japanese directors who are well-known in the West - say, Kiyoshi Kurosawa, Takeshi Kitano, Naomi Kawase - are mostly unknown to Japanese, particularly of the younger generation.
My career came together very quickly. I only trained for four years before I became a professional, so I didn't have a lot of time to sit back and be inspired before I took my first ballet class.
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