A Quote by Roger McGuinn

I open all my concerts with 'My Backpages,' written by Bob Dylan, and close them all with 'May the Road Rise to Meet You,' written by Roger McGuinn and Camilla McGuinn. — © Roger McGuinn
I open all my concerts with 'My Backpages,' written by Bob Dylan, and close them all with 'May the Road Rise to Meet You,' written by Roger McGuinn and Camilla McGuinn.
Bob has never written a bad song. Bob Dylan is a genius.
Bob Dylan was really mad with my wife. I had asked by Rolling Stone - the only assignment I ever had for them - to do a story on the Rolling Thunder Review, which was Bob Dylan, Alan Ginsberg, Joan Baez and a host of stars. My wife, some weeks before, had written in The New York Times that The Kid wasn't The Kid anymore and he wasn't all that winning anymore.
We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
I just got into it like a lot of people through the rock 'n' roll bands in the late '60s that turned to country music, like The Byrds and Buffalo Springfield, but particularly through The Byrds because of Gram Parsons, Roger McGuinn and Chris Hillman (with their 1968 album Sweetheart of the Rodeo). They kind of introduced English kids to Merle Haggard and George Jones and the Louvins (brothers Charlie and Ira).
The question now becomes about defining your terms. What is literature? Unless we allow it to encompass the oral tradition from which it grew, which means taking it back to Homer and beyond, it demands the written word - poetry and prose. [Bob] Dylan is no slouch at the written word, both in its own right, and transcribed from his lyrics, which have often been acclaimed as poetry and may well stand up as such. But that is not his métier.
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
When I approached one of his secretaries for an interview, I was told that Bob [Dylan] didn't want to see me anymore because of what my wife Margot [Hentoff] had written.
Lyrics should not need to stand on their own; many of [Bob] Dylan's do, but in common with other great lyricists, he has written plenty that falters on the page but soars in song.
I used to read a lot of Steinbeck, and I admired Roger Miller and Bob Dylan.
but right now it's Bob Dylan Bob Dylan Bob Dylan all the way.
I was comparatively late in understanding Bob Dylan's overwhelming importance as a songwriter. Everybody who does my job exists in the shadow of Bob Dylan. There are two categories: Dylan and everybody else. It's as simple as that. And it's going to be that way until he dies.
A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.
I've only written 30 songs or something. Dylan's written over 500 songs. There's no comparison. He's the Shakespeare of rock 'n' roll and popular music.
I've met Bob Dylan's bodyguards, and if Steve Earle thinks he can stand on Bob Dylan's coffee table, he's sadly mistaken.
I have no doubt that if I met Bob Dylan, it would be disappointing - and annoying to him. But that's why I like Bob Dylan.
Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.
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