A Quote by Roger McGuinn
I always got a kick out of it when they called it the California Sound because it really came out of Liverpool and Greenwich Village.
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I got into a brawl one night in a saloon in Greenwich Village. Elia Kazan, a great director, saw me put out a couple of hecklers and figures there was some Big Daddy in me, just lyin' dormant. And out it came. People still do call me Big Daddy, but to me, inside, I'm no Big Daddy at all.
My father took me back home, back to Greenwich Village, and he thought by taking me out of the orphanage he'd be out of the World War too. But no way - they got him anyway. He went in the Navy and then I lived on the streets.
I played soccer growing up, and then high school came along and the football coach came out one day and was like, 'Hey, do you want to kick for us?' I was like, 'Sure, I'll come out and kick one day.' I got moved up to varsity and that's how the story began.
When West End Girls came out on import, I was a student at Liverpool University. I'd go to a club in Liverpool and it would come on, and I'd be really embarrassed.
My art teacher in junior high was a very out gay man and a mentor to me. He would tell us about Greenwich Village and show us the 'Village Voice' and describe his life, but it was all sort of subversive and below the radar.
These people, as far as I can see, do not congregate in the notorious centers of the movement, like the North Beach in San Francisco or Greenwich Village, or Venice, California.
We had been reading about these beatniks who hung out or lived in Greenwich Village, and we wanted to find out what a 'beatnik' was, and so a friend and I went right to the source. What we learned, of course, was that beatniks were mostly artists.
When I first came up in the wrestling business, there was a movie called 'The California Dolls' about a female tag team - girls who are struggling trying to make it in the wrestling world. I started out in a tag team, and my name was Britani Knight, and my dad named us after The California Dolls. We were called The Norfolk Dolls.
I really feel like I came out of the water when I graduated from college, because I wasn't really aware of what was going on. If certain people tried to take advantage of me or whatever, I never really realized it until I got out of school.
Greenwich Village... the village of low rents and high arts.
I came out with sounds that didn't sound like the usual hip-hop beat. I took that chance because no one would identify with me if I sound like somebody who's already out.
Now, twenty years old, I come out and I go back to Greenwich Village. Now, of course, I'm a wealthy man.
I'm an Elvis fan because it was Elvis who really got me out of Liverpool.
This is unexposed film of Greenwich Village because nothing ever happens there.
I had wanted to come back to Greenwich Village ever since I had left Waverly Place, and since moving to West Eleventh Street, I have never lived anyplace else. I do not want to. That is not because of what the Village is but because of what I have made it, and what I have made it depends on who I am at the time.
I worked as a carpenter for a few years. I began writing. I wrote a book about my time in Africa - that came out in 1988 - called 'The Village of Waiting.'
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