I have the best agent, manager, publicist, acting coach, and lawyer. Without them, I wouldn't have the opportunities that I've had.
Now I have an agent, a manager, a lawyer, a publicist, all the king's horses and all the king's men.
Do you think you can love too much? Or experience too much beauty, at the cost of too much pain? Do you think when art is defined by expressing so much beauty and so much pain, just to be able to cope with both - and bring other people something creatively beautiful at the cost of that pain - that we can draw a line of 'normalcy'? It's important to think about.
Anything I do has to have integrity, so if you just want to make music, it's not difficult finding support. The hard part for a publicist or manager is making a star.
Now you know you're going to have to play music for the label, you know you're going to have to get an opinion from the manager. Now, I'm so much more conscious and it bothers me. I try to find my way back to writing without being too analytical or not thinking about whether this is good or is it bad.
The camera fails to capture the 'business' in show business! We typically will give 10 percent of our salary to the agent, 10 percent to the manager, and 5 percent to the lawyer, plus the publicist gets a flat fee, which needs to be budgeted for.
I loved Fugazi, the D.C. hardcore band, because they always did everything themselves. They had their own label, and the CDs always cost nine dollars, the T-shirts always cost eight dollars, the shows always cost five dollars, no major label.
I think too much of the music industry is for the lawyer and accountant mentality.
I love beautiful clothes, shoes, and bags like everyone else. However, I do not put a lot of emphasis on who I wear and how much my clothes cost. If it's a label, it's a label. If it's not, it's not.
It's risky to allow radiation to constantly go up into the atmosphere. The main criticism of this approach of entombing it is that it would cost too much, involve too many resources and people. But think of the cost of having all the crops impounded by the government, all the milk being thrown into the river, people's livelihoods destroyed.
As a writer you know you don't have to deal with a lot of the crap that most people deal with, the political things. Every couple of years when your book comes out then you have to go into these fights with the publisher and the publicist and that's it.
I just think that any person who wants music to be their career shouldn't focus on a record label. I have seen friends who sign to a label too early in their career, and they lost control over their music, and their releases were delayed or never put out.
I've been an educator all my life pretty much. It's important as a manager and also as a record label, to educate your artists on public speaking, how to build that connection, how to communicate effectively, to have a general working knowledge of the music industry.
I have people introducing themselves to me: 'I am your publicist; what can I do for you?' But I have never learned how to use a publicist.
For too long, our country's version of an energy policy has consisted of Americans waking up every day and wondering how much it will cost to drive to work, how much it will cost to keep their business running, how much it will cost to heat or cool their homes.
A manager sets objectives - A manager organizes - A manager motivates and communicates - A manager, by establishing yardsticks, measures - A manager develops people.