A Quote by Roger Miller

It's one thing to have talent. It's another to figure out how to use it. — © Roger Miller
It's one thing to have talent. It's another to figure out how to use it.
I had to build my name here by doing talent nights, talent competitions and networking and meeting all the working girls and figure out how to work this animal of New York City.
Every business has to figure out how to make itself more efficient. They've got to use technology. They've got to use the Internet, things like that. We can do the same thing with our state colleges.
The only important thing in this life is to figure out how to use the experiences that you have to make the world a better place.
I am on Vine. It's another early-adopter kind of thing. I'm trying to figure out what I'm going to do with it. What's interesting about it is that everybody knows these amazing restrictions we've put on it: I have to use my iPhone, I can only use one continuous take, I cannot edit afterwards, I cannot put sound afterwards.
The trick [in comedy] is always to figure out how real you're playing it and how real it's supposed to feel. That's a hard thing to figure out.
The first two major label records I did what I wanted to do. It wasn't a problem until after I finished my part. They didn't understand I was an artist, a capable artist. When you're the money dealing with the talent, you need to let that talent develop, your job is to figure out how to sell it.
What’s yours? How will you serve the world? What do they need that your talent can provide? That’s all you have to figure out.
I think initially with the ECW product it was a perfect place. Even though it was WWE's ECW, it was a perfect place for the young talent to kind of get their feet wet and figure out the lay of the land and to figure out how the WWE works and then you can transition better into Raw or SmackDown.
You can think as Einstein as much as you want, but when you come in contact with another person as a work unit of some kind, you have to think as one. You have to figure out all the things that you've studied and that your mind is telling you, and then you have to figure out how to make it work as one, or you have a broken down team.
Women are dealing with the same thing: they're dealing with expectations about how they're supposed to look and how they're supposed to interact with men. I think we're all trying to figure it all out, especially when we're teenagers, but I think the key is to listen and empathize with one another.
I was struggling to figure out how to combine the abstract and the representational. Painting, I suddenly understood how that aesthetic could fit together. That was a really fun game to figure out how that worked.
In this day and age, when there are so many people creating work online and writing their own shows, I wouldn't tell another actor, 'If you can do anything else go do that.' I would tell them to figure out the story they want to tell, to figure out what artists inspire you and why, and then figure out a way you can create that for yourself.
There is no closed figure in nature. Every shape participates with another. No one thing is independent of another, and one thing rhymes with another, and light gives them shape.
It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.
Carryin' a gun is a chancy thing. Sooner or later a man is put in a position to use it. And a body has to figure that if somebody packs iron he plans to use it when the time comes; and if he draws it out, he plans to shoot.
Once you climb to another level, you have to figure out how to sustain it.
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