A Quote by Roger Moore

Of course, I do my own stunts. And I also do my own lying. — © Roger Moore
Of course, I do my own stunts. And I also do my own lying.
I like being able to do all of my own stunts. I appreciate stunt guys and what they do and, of course, the time and the effort that they put in, but for me, I'm young. You only live once, so to be able to do all your own stunts, train, become a real fighter... I feel like I can hold my own.
I would love to do my own stunts, but stunts are not something I have a lot of experience with.
If you really get into a particular character, you also want to do your own stunts.
I'm kind of hard to double, but I did have one guy for a while as my double. I kind of like to do my own stunts, though, because it's just the overall experience. Sometimes you have to step aside when the stuff gets really dangerous, but I feel like sometimes you have to do your own stunts to make the role seem real.
As much as theyll let me I do my own stunts and I do all my own fighting.
The most offensive is not their lying - one can always forgive lying - lying is a delightful thing, for it leads to truth - what is offensive is that they lie and worship their own lying.
I don't do stunts and I don't think many actors do. For an actor to say they do their own stunts I don't think is very respectful of the profession of stunt men and women.
Our story opens in the mind of Luther L. (L for LeRoy) Fliegler, who is lying in his bed, not thinking of anything, but just aware of sounds, conscious of his own breathing, and sensitive to his own heartbeats. Lying beside him is his wife, lying on her right side and enjoying her sleep.
As much as they'll let me I do my own stunts and I do all my own fighting.
The only form of lying that is absolutely beyond reproach is lying for its own sake.
I do all my own stunts!
If someone's lying to us, then it's rare that we know that they're lying to us. It's only in bad films that you recognize immediately that an actor's playing in such a way that you can see that he's lying, and that's simply dumb. But to reach that, it requires that you make a film in such a way that a spectator feels compelled to find his own explanation. You want to lead the spectator to find his own interpretation. To ask questions rather than provide all of the answers. Doing that leads to open endings and open dramaturgy.
I did do my own stunts.
I do all my own stunts. I'm kidding.
I don't do my own stunts, but I do my own fighting. I don't consider fighting to be a stunt.
A story rises from the springs of creation, from the pure will to be; it tells itself; I takes its own course, finds its own way, its own words; and the writer's job is to be its medium.
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