A Quote by Roger Moore

I was so pretty, actresses didn't want to work with me. — © Roger Moore
I was so pretty, actresses didn't want to work with me.
The public want actresses, because they think all actresses bad. They don't want music or poetry because they know that both are good. So actors and actresses thrive and poets and composers starve.
The fact of the matter is that we're all aging, and there's this stigma that older actresses don't work as much as younger actresses, and I don't think that's true anymore.
If I don't work very often, it's because what I read is written for formidable actresses, but actresses who make a habit of playing with their cup half full.
That’s what she was, Joanna felt suddenly. That’s what they all were, all the Stepford wives: actresses in commercials, pleased with detergents and floor wax, with cleansers, shampoos, and deodorants. Pretty actresses, big in the bosom but small in the talent, playing housewives unconvincingly, too nicey-nice to be real.
There are actresses who've had expensive work done and look great, so I'm not holier-than-thou about it. But it wouldn't be for me, perhaps because I've already been in hospital and wouldn't want to volunteer myself for it again.
Two of my favorite actresses are Meryl Streep and Angelina Jolie. So, I would love, love, love to work with them. But I also really love AnnaSofia Robb. There are a lot of great actresses I would love to work with.
I want to tell human stories not solely based on race. There are so many great actresses and actors that are out there, and I just want to see them do good work.
I just try to keep going and work on projects that are exciting to me, with people I respect and enjoy and want to work with. That takes me in different directions sometimes, but it's all been a pretty good ride.
I think it's very pretty. Can it be pretty if no one thinks it's pretty? I think it's pretty. If you're the only one? That's pretty pretty. And what about the boys? Don't you want them to think you're pretty? I wouldn't want a boy to think I was pretty unless he was the kind of boy who thought I was pretty.
I have a few other films in my life where I'm not attached and for a long time it was too complicated. Now it's starting to change because other actresses actually want to work with me, which is great.
I teach voice, and I teach pretty much just, like, whatever people need. So if they want me to work on a monologue with them, or if they want me to do some work with them, I do that. And then I do master classes, like at high schools - which is my most favorite thing to do.
As actresses, our schedules are really wonky and we work weird hours. For me, personally, I watch pretty much everything on Netflix, and I watch all the episodes in a row, when I can. I don't really watch much of any live TV anymore, and I feel like a lot of people are doing that now.
For me, intrigue is a pretty powerful emotion. If you want to know more about a character, if you want to understand how they work, then you have enough curiosity to delve into their skin and their being. That was the biggest pull for me.
There are actresses who build themselves, and then there are actresses who are built by others. I want to build myself.
Cameras love pretty girls and craggy, old character men more than they can take craggy, old character women. But that's what's always happened. Work out how you can fit into it, and make that work. There are never going to be millions of parts for older actresses because there never were.
I always say, when I work with younger actresses, "I'm here." Reese says it, too: "We've lived it. We know things. So if there's anything you want to know." I'm careful not to be the preacher, like, "Now, listen to me!" But I do want to be available. Even in terms of things like finances - where do you learn that, if you don't have people you can ask, "Hey, can I ask you a question?"
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