A Quote by Roger Moore

Bond may be a very international, cosmopolitan kind of character, but underneath it all, he is essentially British. — © Roger Moore
Bond may be a very international, cosmopolitan kind of character, but underneath it all, he is essentially British.
Unless you count the political backdrop, which in any case is a familiar one to many international readers, I don't think there's anything that I would call essentially Brazilian in João Gilberto Noll work. In that regard, it translates very well to a cosmopolitan audience.
It's - you know, acting's all about relatability and finding empathy for a character, which is essentially, kind of, you're finding empathy with a part of yourself, which is a part of a character that was written by someone else, which was essentially kind of a part of them as well because it was a voice in their head they wrote down.
Well, you can't say you are lucky to live in Champaign, but I was lucky to be at the University of Illinois. It's a very international cosmopolitan community. That's very helpful.
And he said that he wrote the Bond character based on the character of David Niven. That's how he saw Bond.
There are many people of cosmopolitan temperament who are not from the elites of their societies or the world; and while, for a variety of reasons, I think a cosmopolitan spirit does naturally go with city life, that's the life of a very large proportion of human beings today. And I don't think rural people can't be cosmopolitan, in my sense.
All good men are international. Nearly all bad men are cosmopolitan. If we are to be international we must be national.
I defy any British actor to deny they've not stood in front of the mirror and said: 'Bond, James Bond.'
On one level, I would prefer never to hear the words 'James Bond' again, but on another level, it is part of my blood and my life. And it's the only movie in the world that offers a British actor the chance of international recognition.
Daniel Craig is brilliant as Bond: there is no question about that. But it's a different Bond. It's the cross pollination of 'The Bourne Identity' and 'James Bond;' that kind of style of filmmaking.
Djesse,' essentially, is this spirit. It's this sort of character, very much with some childlike energy, which permeates all of this music... The first album represents kind of pre-dawn, to that moment at the end of the morning when everything's very much alive.
I grew up on Bond, and it is part of my culture, especially in Britain. Just to be known as a Bond girl is an incredible thing for me, because some of my favorite actresses have been Bond girls, like Diana Rigg and Honor Blackman, and they have continued to work and be brilliant. I am honored and flattered to be called that, even though I don't really think my character is Bond-girly, but I'm still going to be labeled as a Bond girl, which is completely brilliant.
I think Bond the character is distinct: He's British, he has a certain code that he lives by, he's incorruptible... he's a classical hero, but he's also fallible. He has inner demons, inner conflicts, and he's a romantic.
Utah may well be the most cosmopolitan state in America. Vast numbers of young Mormons - increasingly women as well as men - spend a couple of years abroad as missionaries and return jabbering in Thai or Portuguese and bearing a wealth of international experience.
I come from rather an international, or in other words, a cosmopolitan background.
I'm somebody who is very, very proud to have been a part of the British film industry all my life and to have kind of been involved with a very important piece of British film history.
Danger Mouse' is James Bond essentially. A rodent James Bond. Oh and slightly Batman too I suppose. And let's chuck in a little bit Superman while we're there. He's an old-fashion swashbuckling hero.
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