A Quote by Roger Moore
I made some very forgettable films, but I liked them all when I was doing them.
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When I was 12 I made some little films with my friends. I tried to make gangster films, like Fantomas, but I remember being very disappointed with them. They weren't frightening at all. I'm sure they'd be very funny now.
I would rather do four films and be remembered for them than do 20 forgettable ones.
I'm very proud of all the movies I made. I am very happy with everything I've done. I like to watch my movies. Some of them work. Some of them don't. Some of them people like, most of them they don't.
I think that what's happened is that there's been a rediscovery of some good old-school films and a realization that there's always a place for them. We don't have to outgrow them with the new technology and we can do them with it and we can do them without it. We shouldn't always have the demands made on us to do it.
I prefer the films that put their audience to sleep in the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake up thinking about them in the morning, and keep on thinking about them for weeks.
I love looking at the old Bond films. Maybe it's purely out of reminiscence, the nostalgic things you think about. But there were some very good films made, and I think that the public has enjoyed them, too.
I grew up with a lot of guys, some of them are dead, some of them are this and some of them that, and some of them very, very powerful, bright young men, who became this instead of that simply because of a lack of guidance - that's all.
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
I didn't know I wanted to do films until I started to do them. Very few films are made in Mexico and film-making belonged to a very specific group, a clique.
More than four thousand programs produced and consumed. Some of them were pretty good, a great many of them were forgettable; but a handful may even be worth a book.
Some boys accepted me, some didn't. And my family had comments made to them. Brazil is still a very macho society, and sports are mainly for boys, so people would say to them: 'What is this girl doing? Why is she always out there in the soccer games with the boys?'
'Annie Hall' and 'The Graduate' are incredible films. Why should we be deprived of watching them because some of the men that made them are bad?
I can make films. And some of them come out good, and some of them come out better, and some of them come out worse. But I've been very lucky over the years to be able to sustain the length of career that I've had.
At some point in time, in the future, people are going to refer to the Step Up films as the films they grew up on. Hopefully, that inspires them to get in dance films that are being made.
I think that there are excesses that exist in all societies. I won't say it's normal to have them, but it's natural to have them. I'm watching very closely ... what Snowden has done. I don't know him personally. I wanted to talk to him, but all of the security people didn't allow me to. But I think that he took the wrong approach to a very right thing which he was doing. Just the implementation was wrong. There was a clear platform to what he was doing, although of course that there were some mistakes made.
Sometimes people are surprised to learn that most of the films I've made don't work. They've been released but nobody has ever seen them. Maybe 40 percent of them are very successful. That's a very high percentage; most people have maybe 10 or 15 percent of their films work.
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