A Quote by Roger Penrose

I think I am intrigued by paradoxes. If something seems to be a paradox, it has something deeper, something worth exploring. — © Roger Penrose
I think I am intrigued by paradoxes. If something seems to be a paradox, it has something deeper, something worth exploring.
That you write a phrase or you think of something and it seems to have a deeper charge because the title has to be some kind of marker, something setting out a space, creating a space for what's going to come.
When you have something so important, something that you'll stay awake for, something you know that you were designed to do, well, it's worth getting a few dark circles, don't you think?
There is something I want-something I have come to get, and she fell deeper and deeper without knowing quite what it was, with her eyes closed.
Buying something on sale is a very special feeling. In fact, the less I pay for something, the more it is worth to me. I have a dress that I paid so little for that I am afraid to wear it. I could spill something on it, and then how would I replace it for that amount of money?
It seems like journalism over here in UK, in general, is at a higher level: not overrun by all these teeny little blogs. There's more of a historical context for it or something. It seems like people review something or take a listen to something and they really do their homework. That's just what it seems like.
I think love is one of those things that it's only really bad because it was once good. You can't miss something that was never amazing. So, what I've learned is that even if it ends badly, it's worth it if it made you feel something, if it taught you something.
I think people are just intrigued with the supernatural. I mean, I know that I am. It's something that I find very interesting.
I think people do look to writers to tell the truth in a way that nobody else quite will, not politicians or ministers or sociologists. A writer's job, is to, by way of fiction, somehow describe the way we live. And to me, this seems an important task, very worth doing, and I think also, to the reading public, it seems, even though they might not articulate it, it seems to them something worth doing also.
If one feels the need of something grand, something infinite, something that makes one feel aware of God, one need not go far to find it. I think that I see something deeper, more infinite, more eternal than the ocean in the expression of the eyes of a little baby when it wakes in the morning and coos or laughs because it sees the sun shining on its cradle.
I ask myself what is the sound of women? What is the word for that still thing I have hunted inside them for so long? Deep inside the avalanche of joy, the thing deeper in the dark, and deeper still in the bed where we are lost. Deeper, deeper down where a woman's heart is holding its breath, where something very far away in that body is becoming something we don't have a name for.
When Pico [Iyer] talks about home being a place of isolation, I think he's right. But it's the paradox. I think that's why I so love Great Salt Lake. Every day when I look out at that lake, I think, "Ah, paradox" - a body of water than no one can drink. It's the liquid lie of the desert. But I think we have those paradoxes within us and certainly the whole idea of home is windswept with paradox.
I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
I think a lot of things can be misconstrued in a lot of ways. And I think if people open their minds more, and they try to look deeper into something than just something that is a very big, hot, fiery button to hide behind...I think if people looked into something bigger that I was trying to speak upon, they wouldn't be so easy to fire back silly, miscellaneous things.
I am pretty expressive with my emotions. I don't think something and say something else. I don't know if it's something I should be proud of or to watch out for. Maybe I am not politically correct. I don't know if that's a crime.
You're worth something because God says you're worth something-not because of what people think or say about you.
Eighty percent of our life is emotion, and only 20 percent is intellect. I am much more interested in how you feel than how you think. I can change how you think, but how you feel is something deeper and stronger, and it's something that's inside you.
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