A Quote by Roger Rees
No lens is quick enough to track the movement of the human body. The molecules are always moving.
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I usually arrive at the first rehearsal with a vague memory of most of it. But the real work happens in rehearsal, oddly enough, because what happens is that you match the words to the movement, and once you know where you're moving, then the words that accompany that movement become not locked into your mind and your brain and your whole body.
The human body is constantly undergoing a process of decay and of reconstruction. First builded into the astral form in the womb of the mother, it is built up continually by the insetting of fresh materials. With every moment tiny molecules are passing away from it; with every moment tiny molecules are streaming into it.
Leaders must be tough enough to fight, tender enough to cry, human enough to make mistakes, humble enough to admit them, strong enough to absorb the pain, and resilient enough to bounce back and keep on moving.
Though we may never be able to comprehend human life, we know certainly that it is a movement, of whatever nature it be. The existence of movement unavoidably implies a body which is being moved and a force which is moving it. Hence, wherever there is life, there is a mass moved by a force. All mass possesses inertia; all force tends to persist
I thrive on quick players getting to the byline and sending over crosses. I just have to be quick enough to get on the end of things. In that regard, my job has always been the same, but if we have more wide, quick players, that can only be good for me.
Life is about change, it never stops, it's moving and it's moving this human body inexorably towards its demise.
A movement that we will to execute is never more than a represented movement, and appears in a different domain from that of the executed movement, which always takes place when the image is vivid enough.
The molecules that comprise our body are traceable to the crucibles of the centers of stars.These atoms and molecules are in us because, in fact, the universe is in us. And, we are not only figuratively, but literally, stardust.
I have really good lateral movement. I've always had quick lateral movement.
My body and its condition are a barometer that is always trying to tell me which direction to go for my maximum creativity, health and fulfillment. And, because I'm human, I get off track now and again but I can always get back on.
Real movement in the Kerry campaign now. His poll numbers are moving, donations are moving, endorsements are moving. The only thing not moving is his hair.
The movement of the waves, of winds, of the earth is ever in the same lasting harmony. We do not stand on the beach and inquire of the ocean what was its movement of the past and what will be its movement of the future. We realize that the movement peculiar to its nature is eternal to its nature. The dancer of the future will be one whose body and soul have grown so harmoniously together that the natural language of that soul will have become the movement of the body.
As a quick, tricky player, I've been told that I don't go down enough because I've always tried to stay on my feet or I don't win clever fouls around the box. But when you are quick, the fastest way to be stopped is by being fouled so it happens to me a lot, even if I don't always maximise the opportunity.
I go to places and I see all these people working on peace education and on a culture of nonviolence and non-killing. You look at all these different movements going on: the environment movement, the interfaith movement, the human rights movement, the youth movement, and the arts movement.
The human mind evolved always in the company of the human body, and of the animal body before it was human. The intricate connections of mind and body must exceed our imagination, as from our point of view we are peculiarly prevented from observing them.
I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.
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