A Quote by Roger Rees

I want to play King Lear, Macbeth, Benedict, Coriolanus. I wouldn't mind doing Hamlet again. Well, I'm a little old. Perhaps I can rub Vaseline on the audience's eyes. — © Roger Rees
I want to play King Lear, Macbeth, Benedict, Coriolanus. I wouldn't mind doing Hamlet again. Well, I'm a little old. Perhaps I can rub Vaseline on the audience's eyes.
King Lear is undoubtedly the greatest play ever written by Shakespeare - or anybody else for that matter. Hamlet is certainly great, but it doesn't contain as many elements of humanity as we see in Lear.
Shakespeare without Othello, Lear, Macbeth and Hamlet would be all too much like Hamlet without the prince.
Hamlet is to Macbeth somewhat as the Ghost is to the Witches. Revenge, or ambition, in its inception may have a lofty, even a majestic countenance, but when it has "coupled hell" and become crime, it grows increasingly foul and sordid. We love and admire Hamlet so much at the beginning that we tend to forget that he is as hot-blooded as the earlier Macbeth when he kills Polonius and the King, cold-blooded as the later Macbeth or Iago when he sends Rosencrantz and Guildenstern to death.
Any older actor knows the last great mountain to climb is to play King Lear and now, if I ever play Lear, I will have done the pre-preparation because I had to go into the play and read it over and over again.
I have no desire to play King Lear or Hamlet. I never had a grand ambition. I just followed my nose.
King Lear by William Shakespeare frightens me. I've never done King Lear, I guess partially because my father dwindled into dementia in his last years and King Lear is such an accurate portrayal of a father figure suffering from dementia - the play was almost intolerable for me.
It isn't difficult to leave King Lear or Macbeth, but once you have gone back to yourself, you want it to be the same self you have always been.
When you are at the right age to play Hamlet you are still to young and immature to play it. It is much later, when you get the life experience and the emotional power, that you understand Hamlet or Macbeth.
The actor is too prone to exaggerate his powers; he wants to play Hamlet when his appearance is more suitable to King Lear.
I don't think of 'Macbeth' as the villain. I don't think of 'King Lear' as the villain. I don't think of 'Hamlet' as the villain. I don't think of 'Travis Bickle' as the villain.
Twins are under-represented in the media. Hamlet - never twins. Hamlet Twins Of Denmark. King And Queen Lear. It would work. Come on, more twins on television.
I started to itch to do a play again and 'Macbeth' came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn't interest me.
I guess if they ever do a remake of 'Sophie's Choice,' I could play the Meryl Streep part. I've got to work on my Polish accent. Maybe I'll be the definitive King Lear one day. You know, if they ever feel that King Lear should be more Jewy.
Many actors want to play Hamlet and Macbeth. Ever since I became an actor, from the very beginning I just wanted to play a Shetland pony. I cannot explain why
It took a while to decide I wanted to do Hamlet. It wasn't that I was daunted - I'd been acting professionally since my mid-20s and had some pretty big Shakespearean roles under my belt by that stage, at 32: Petruchio in 'The Taming of the Shrew,' Edgar in 'King Lear,' Antony, Richard III. But when it came to Hamlet, I hesitated.
I saw Derek Jacobi play Hamlet when I was 17, and he directed me as Hamlet when I was 27, and I directed him as Claudius in 'Hamlet' when I was 35, and I'm hoping we meet again in some other production of Hamlet before we both toddle off.
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