A Quote by Roger Rees

I like working with authors who are a bit pesky. — © Roger Rees
I like working with authors who are a bit pesky.

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I particularly love where I work because I was born, raised, and still live in the Bronx. I work in a Bronx location, so it's very fulfilling to me to be working in my home borough, and working with kids that are a lot like me and who can see themselves in me. My own teaching philosophy is to expose them to books that they might not otherwise read, particularly authors of color, authors whose stories are based in New York City.
People would react to books by authors like James and Austen almost on a gut level. I think it was not so much the message, because the best authors do not have obvious messages. These authors were disturbing to my students because of their perspectives on life.
Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.
If my public existence does anything worthwhile, hopefully it at least demystifies the author a bit, because I know when I was younger I felt like authors were like wizards or something. Turns out they're total muggles.
I like to read biographies of authors that I love, like Richard Yates. I also like to see what non-fiction authors are out there. My bible is Something Happened. It's one of the greatest books I've ever read. But if I don't read a Dostoevsky soon I'm going to kill myself.
Authors like cats because they are such quiet, lovable, wise creatures, and cats like authors for the same reasons.
The church latched on to that old doctrine of original sin like a dog to a stick, and before you knew it, the whole gospel got twisted around it. Instead of being God’s big message of saving love for the whole world, the gospel became a little bit of secret information on how to solve the pesky legal problem of original sin.
I am hoping to work with writers publishing books for first time, since I of course remember what that experience is like. It's all a bit of a mystery for new authors who don't know what to expect.
For me, one of my life's mission is to disrupt these dated concepts of what it really looks like and means to be a working woman. The expression 'working man' is never heard in conjunction. But people still talk about this sort of 'working woman,' and there's a bit of negativity to that connotation.
The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part.
At first critics classified authors as Ancients, that is to say, Greek and Latin authors, and Moderns, that is to say, every post-Classical Author. Then they classified them by eras, the Augustans, the Victorians, etc., and now they classify them by decades, the writers of the '30's, '40's, etc. Very soon, it seems, they will be labeling authors, like automobiles, by the year.
Picture books, while less in word count, are certainly not less important. There are unbelievably skillful authors writing in this vein. Authors like Jane O'Connor and Jon Scieszka.
Michael Koryta isn’t just one of the finest authors working in the crime genre today. He’s simply one of today’s finest authors, period. His stories are taut, compelling, and beautifully rendered. His understanding of human nature-the good, the evil, and all the gray between-is masterful. THOSE WHO WISH ME DEAD is Koryta at his best.
Time after time we're told corporations should have freedom from pesky job safety regulations, environmental protections and labor standards - giving working people the freedom to be crushed in collapsing mines, choke on filthy air and get paid too little to live on.
Anyone can write. Some people can write a bit better than others; they're called authors. Then there are some who can write better than authors; they're called artists.
'The New Yorker's fiction podcast I like a lot, where they have authors pick short stories by other authors that appeared in 'The New Yorker.'
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