A Quote by Roger Rees

If you take away a lot of the pretension and grandness from Shakespeare, a true poeticism is revealed. — © Roger Rees
If you take away a lot of the pretension and grandness from Shakespeare, a true poeticism is revealed.
Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
Take away someone’s fear, or low intelligence, or dishonesty . . . and you take away their compassion. Take away someone’s aggression and you take away their motivation, or their ability to assert themselves. Take away their selfishness and you take away their sense of self-preservation.
Pretension may sit still, but cannot act. Pretension never feigned an act of real greatness. Pretension never wrote an Iliad, nordrove back Xerxes, nor christianized the world, nor abolished slavery.
There was a saying that a man's true character was revealed in defeat. I thought it was also revealed in victory.
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting. It was a lot of work - anything other than Shakespeare was less work. I had a lot of interesting roles, but I don't point to them and say, "That was more interesting than that," because I don't know what the criteria are.
This means, in a way, that true light is dependent on the presence of other lights. Take the others away and darkness results. Yet the reverse is not true: take away darkness and there is only more darkness. Darkness can exist by itself. Light cannot.
Marriage is not a natural phenomenon. It is artificial, arbitrary. And when it disappears you cannot do anything to bring it back. You can pretend, but that pretension makes you a hypocrite. And your pretension cannot deceive the woman, because she has known your love and the pretension cannot become the substitute. The only way is to separate - in friendship, because you have given each other so much.
Some people think that the truth can be hidden with a little cover-up and decoration. But as time goes by, what is true is revealed, and what is fake fades away.
I come from an Irish working-class background but went to a posh school, and any type of pretension was quickly mocked at home. I've always had a keen eye for pretension.
There are websites of 'True Detective' artwork out there now, and it's beautiful. And I don't want to take that away from anybody. I know what it means to me. But I don't want to take away anyone's interpretation of the show.
I've done a lot of Shakespeare as a young man; I was involved with Shakespeare and Company.
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting.
There are a lot of roles in Shakespeare, basically. If I feel that the script is a movie, I would be interested in doing any role of Shakespeare's.
A lot of people have a fear of Shakespeare. Even actors do. People are like, "Oh, I won't go and see Shakespeare because the language is so hard," but it is. When you read it on the page, you go, "What?! What does that mean?!" If you go to a Shakespeare play and you've never been, you sit there and go, "I'm an idiot! I don't get it!"
By limiting or denying freedom of speech and expression, we take away a lot of potential. We take away thoughts and ideas before they even have the opportunity to hatch. We build a world around negatives - you can't say, think, or do this or that.
I actually want to write a treatise in defence of pretension. I think the word 'pretension' has become like the word 'ironic' - just this catch-all term to distance people from interesting experiences and cultural engagement and possible embarrassment.
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