A Quote by Roger Rees
I love to argue and share bright ideas in a rehearsal room, and when you live with somebody who is working on the same show, the delight can go on all evening!
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A flop is often the result of the fact that each of the talents involved, while working on the same project, may in effect have been working on a different show from all the others. If all contributors do not share the same vision of the evening, the end product will not evince the harmony of diverse elements-the seeming inevitability of book, score, and staging-of a good musical.
Real love is on the inside. It's somebody you have a common ground with, you share the same values, you share the same interests, you share the same humor, you share all those things that are things that will last you the rest of your life.
I feel that once you go into rehearsal, you need to focus on the show in the room.
We had no money, and we had to go through 'punk' school. We ended up living in the rehearsal room that used to be the Sex Pistols rehearsal room at Malcolm McLaren's office. So we had this sort of interesting beginning.
While directing in theater that the actors will - I don't know if it's competitiveness or what it is, but they love to make each other laugh. They love to impress each other in rehearsal. They'll try something for a reaction. But in film, you're very often not all together in the room at the same time. You're shooting one day, somebody else is shooting the next. It's a totally different dynamic.
My favorite part about working in theater is the rehearsal process. I absolutely love the rehearsal process. Working out the characters, figuring the character out, and the relationships between the different characters. I love all of that, which, unfortunately in film, you get very little opportunity to have.
I love working on films and I'd love to do some interesting work, but if somebody asked me, 'Would you like 'Human Target' to continue to be picked up?' The answer is 'Absolutely!' I love working on this show. I love playing Guerrero. I love seeing where it's going.
I remember coming into 'The Lion King' and, oh forgive me Lord, but doubting it. The way that musicals are put together, we're kind of exclusive of each other. And so somebody's working on this in one room, and somebody's working that in the other room. I did not understand how all this was going to come together.
I love working with women. I think it's because I spent so much time in my brother's heavy metal band. Sweaty boys in the rehearsal room. It's nice to just be in the studio with a fragrant lady.
I'm watching the show and I'm watching the audience watch the show. Because once you leave the rehearsal room, you have space and you can see it. You can watch them watch it. You can't see your work, really, until you're in the theater. You have no perspective. That's not part of my job, to go, "Oh my God, they're so brilliant." I'm not required to swoon.
To me, I think we want an organization that's aligned. We want an organization that has the same vision. But we don't want an organization that all has the same ideas. We want people that are willing to argue, fight, scratch and claw, but everyone is working together.
The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
Thou fair-hair'd angel of the evening, Now, whilst the sun rests on the mountains, light Thy bright torch of love; thy radiant crown Put on, and smile upon our evening bed!
When a relationship with a director is really working, you have the same idea at the same time. You go, 'Look, this isn't working,' and they'll go, 'I know it's not working. What are we gonna do?' And you go and try something else.
By sharing something, I realized that I'm not alone, that there are a lot of people that share with me the same preoccupations, the same ideas, the same ideals, and the same quest for a meaning for this life.
If I think the universe is triangular, and you think it is square, there cannot be room for two universes. We may argue politely, we may argue humanely, we may argue with great mutual benefit: but, obviously, we must argue.
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