A Quote by Roger Rees

I directed Bebe Neuwirth in 'Here Lies Jenny' at the Post Street Theatre. I was gobsmacked - the audiences were extremely knowledgeable, affectionate, interested, and not cynical.
I worked with a lot of leading ladies: Bebe Neuwirth, Anne Rankin, Bernadette Peters, Liza Minnelli. They're all phenomenal talents.
I was interested in theatre, and the only experience that I had in high school was as an actor. But when I got in Conservatoire, my teachers would give me a lot of flack because I wasn't rehearsing my lines; I'd be doing stage management. I was interested in sound. I was interested in architecture. I was interested in every aspect of theatre.
There were lots of lies along the way in life. Lies without arms, lies that were ill, lies that did harm, lies that could kill. Lies on foot, or behind the wheel, black-tie lies, and lies that could steal.
I didn't go to university. I studied theatre in high school and worked with Canberra Youth Theatre and The Street Theatre and other theatre organisations in Canberra, and that's how I got my training.
I directed before I was even in television; I directed in the theatre for seven years, so that was my trade anyway. But in the UK, I've given up any hope of being considered a director.
Ineptitude and negligence directed British policies in India more than any cynical desire to divide and rule, but the British were not above exploiting rivalries.
My name is Jennifer, and when I first went to school, my kindergarten teacher called me Jenny, and from then on, I was Jenny.
I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful.
Idealism that makes no distinction between areas where our national interest lies and those from which it is remote does no good for America. The weariness of the post-Versailles, post-Korea, post-Vietnam eras is never far from the national mood.
When I directed the 'Ring' cycle at the Metropolitan Opera in New York recently, there were people texting all through the show. But theatre isn't a communication device: it's a communion.
I am quite familiar with the vibrant theatre scene in Bengaluru, as I keep coming back to the city with my plays. Audiences here appreciate arts and are open to different types of theatre and acting techniques.
Theatre for a New Audience is one of America's most admirable and exciting theatre companites...some of the best acted and directed work to be found on American stages, engaging with the canon of world dramatic literature in a vigorous way.
Prada is extremely directed in terms of communicating what they like and what they don't like. That is actually extremely pleasant because it clarifies very easily what you can do and what you need to do.
I find that here in the States, audiences are generally less knowledgeable, from the cognitive point of view, though they are emotionally more receptive.
As much as the mystery element is all a lot of fun, when you do go to 'Edwin Drood,' you're going to a theatre to see a show about going to a theatre and what that relationship between actors and audiences has been for years.
We must infuse our lives with art. Our national leaders must be informed that we want them to use our taxes to support street theatre in order to oppose street gangs. We should have a well-supported regional theatre in order to oppose regionalism and.
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