I think there are one or two things similar in Elizabethan English and contemporary Hebrew. This is not to say that every one of us Israeli writers is a William Shakespeare, but there is a certain similarity to Elizabethan English.
The revival of Hebrew, as a spoken language, is a fascinating story, which I'm afraid I cannot squeeze into a few sentences. But, let me give you a clue. Think about Elizabethan English, where the entire English language behaved pretty much like molten lava, like a volcano in mid-eruption. Modern Hebrew has some things in common with Elizabethan English. It is being reshaped and it's expanding very rapidly in various directions. This is not to say that every one of us Israeli writers is a William Shakespeare, but there is a certain similarity to Elizabethan English.
In many ways, 'William Shakespeare's Star Wars' is modeled on Shakespeare's Henry V, which relied on a chorus to explain in words the battles of Harfleur and Agincourt that could never be captured on the Elizabethan stage.
If I use the word consciousness, in our lab, in our institute, what we mean is the special quality of mind, the special features that exist in the mind, that permit us to know, for example, that we, ourselves, exist, and that things exist around us.
I think that music is crucially important in Shakespeare - and, clearly, was an important part of the Elizabethan theatre. And, it's always been something that was a profound element of the experience of Shakespeare that I have been drawn to - and interpreters have, as well.
Also, I'm drawn to moments of ambiguity, when things could go right or they could go wrong. I'm interested in discomfort. Discomfort is a place where we're still close enough to comfort to understand our unhappiness. Most of the things we desire are things that can destroy us.
No need to choose; become choiceless. And whatsoever happens happens; whatsoever happens is good. Let things happen rather than trying to do, and you will be surprised that all ambiguity disappears. It is a by-product of the chooser's mind, the choosing mind, that creates ambiguity. Otherwise there is no dilemma. Negative and positive are perfectly balancing in life.
There's a wonderful author named Can Themba, who said that Africa extends a fraternal handshake to Shakespeare. That William Shakespeare would have recognized Elizabethan England more readily in Africa today than in England today.
"Simple" is a tricky word, it can mean a lot of things. To us, it just means clear. That doesn't always mean total reduction, or minimalism - sometimes, to make things clearer, you have to add a step.
What it boils down to is that when you say the word Las Vegas it means something. You could say New York City and it doesn't really mean anything. When you say a word like Bangkok, in my mind it means something. There's not a lot of cities where the world literally brings a picture to your mind.
In fact, it is Shakespeare who gives us the map of the mind. It is Shakespeare who invents Freudian Psychology. Freud finds ways of translating it into supposedly analytical vocabulary.
Because a garden mean constantly making choices, it offers almost limitless possibilities for surprise and satisfaction.
Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare.
Words can mean different things to different people. It is important to understand what people mean when they use a certain word. Let's make an example. Take the word gay. Fifty years ago, gay meant exclusively cheerfulness, lighthearted excitement, merry or bright colors. Today this word has a different meaning. You won't call a cheerful person gay because it could be understood as something else.
I've always loved the word blunderbuss. I've always thought that it was a beautiful word and that it could mean several different things.
We don't go to Shakespeare to find out about life in Elizabethan England; we go to Shakespeare to find out about ourselves now.