A Quote by Roger Rees
I joined the Royal Shakespeare Co. with no experience whatsoever - I'd never been to a drama school or anything. But I was strong and could lift things, I could move scenery about.
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I went to the Guilford School of Music and Drama, which was affiliated with the Royal Shakespeare Company. I was lucky enough to be taught by a beautiful, wonderful teacher called Patsy Rodenberg, who works a lot with the Royal Shakespeare Company as a voice coach and technician.
I've been writing poems since I was in the Navy - to Rosalynn. I found I could say things in poems that I never could in prose. Deeper, more personal things. I could write a poem about my mother that I could never tell my mother. Or feelings about being on a submarine that I would have been too embarrassed to share with fellow submariners.
I'd love to do Shakespeare. I've been asked to do Malvolio but for one reason or another haven't been able. On a school trip to the Royal Shakespeare Company at Stratford I saw the great Emrys James as Feste and it's always been a role I've coveted.
I did a lot of stock before I even went to drama school. I sort of went in the back door of drama school and I had joined in a stock company to get my experience.
My parents couldn't afford a full time drama school, but I basically just did every class I could do, and followed every drama interest I could. When I was 15 or 16 I did drama courses.
In my life there were a lot of situations where I could have been killed or some officer might have been killed chasing me, a lot of things could be different. Now, you know that's experience you can't buy. And it's there in my rearview mirror and I can refer to it in my writing. I have the experience to talk about things some people only imagine.
What I learned, in the two months that we shot, I don't think I could have learned in two to four years of drama school. It's invaluable to me, and that's been the most fun. It's been nice to let this be a learning experience in everything.
I've never done anything for money. My first love is things of limited commercial appeal. I could be happy doing Shakespeare for the rest of my life.
I have come to see the nonsense of attempting to describe fine scenery. There is no such possibility. If scenery could be adequately reproduced in words, there would have been no need of God's making it in reality.
It was a cherished experience. I feel I got the chance to see the inner workings of the grand order of things. In the overall scheme of things, it proves that men can do about anything they want to if they work hard enough at it, and I knew that I could do it . . . and that leads, of course, to a strong suspicion that everybody else can do it if they want to.
I've done loads of things people have never seen - dramas on BBC4 and plays upstairs at the Royal Court and the Bush - and because I didn't go to drama school, they gave me an education.
I've done loads of things people have never seen, dramas on BBC4 and plays upstairs at the Royal Court and the Bush, and because I didn't go to drama school, they gave me an education.
Every time we moved on, I joined a different class in a different school with different girls until, aged 13, my father had taken the decision to pull me out of school altogether. Everything I needed, he reasoned, could be found within the rich language of Shakespeare's plays at which, by then, I was something of an old hand.
I can honestly say that, growing up, it never crossed my mind that I could ever make anything. I could write articles about things, which is why I wanted to be a professor. I loved watching movies and writing about them and teaching them, but it never crossed my mind that I could make something.
I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.
The world in books seemed so much more alive to me than anything outside. I could see things I'd never seen before. Books and music were my best friends. I had a couple of good friends at school, but never met anyone I could really speak my heart to.
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