A Quote by Roger Rees

I used to be the voice of Virgin Atlantic in America, and some people only know me for that. — © Roger Rees
I used to be the voice of Virgin Atlantic in America, and some people only know me for that.
The brand is only as good as your products, so.. if people have a good experience on Virgin Atlantic or if they have a good experience on Virgin trains or.. if they have a Virgin mobile phone and they can get straight through to our people and they're well looked after and then they'll try the next product that we launch.
India is an incredibly vibrant market, which Virgin already, through Virgin Atlantic, has the pleasure of working in. I am delighted that Virgin Comics will not only help to launch the Indian comic market and spin it into the West, but will develop new and exciting talent.
America seemed a virgin land waiting for civilization. But Europe had made the wilderness it found; America was not a virgin, she was a widow.
You see, it's essential that one of us stays awake during the flight [ballon]. So, rather than using the comfortable Virgin seats which we used to cross the Atlantic, we've asked British Airways for two of theirs.
I thought that when they said Atlantic Charter, that meant me and everybody in Africa and Asia and everywhere. But it seems like the Atlantic is an ocean that does not touch anywhere but North America and Europe.
I've spent a lot of time in America since Sept. 11, 2001. Being here, I was noticing that the people, who in the '60s used to voice their opinions about their rights, are much different today. People are afraid to voice opposition to the government in a mass way.
I went through some tough times because if you're used to having a voice in contemporary culture and all of sudden, you don't have that voice, you don't have that outlet. I didn't appreciate that. I didn't understand how important that was to me. And all of a sudden, after investing all this time and energy, I had no identity. I didn't know who I was. I didn't know what I had to say. I didn't have a way to say it. It was very painful.
And ever since then [I] have set up businesses basically out of frustration. I mean, I set up Virgin Atlantic with one second-hand 747 because I hated the experience of flying on other people's airlines. And I thought, you know, I could try to create the kind of airline that I'd like to fly on. And people liked it.
I am still playing 'Words With Friends,' but on Virgin Atlantic.
I like Virgin Atlantic and always feel at home on British Airways.
Virgin, is how good you are with people. If you're - if you're good with people and you've got - you know, and you really care, genuinely care about people then I'm sure we could find a job for you at Virgin. I think, you know, that, you know, that the companies that look after their people are the companies that do really well. I'm sure we'd like a few other attributes, but that would be the most important one.
I'd break out in hives if I had to sing (`Stairway to Heaven') in every show. I wrote those lyrics and found that song to be of some importance and consequence in 1971, but 17 years later, I don't know. It's just not for me. I sang it at the Atlantic Records show because I'm an old softie and it was my way of saying thank you to Atlantic because I've been with them for 20 years. But no more of `Stairway to Heaven' for me.
It was not the visible sun, but its invisible Creator who consecrated this day for us, when the Virgin Mother, fertile of womb and integral in her virginity, brought him forth, made visible for us, by whom, when he was invisible, she too was created. A Virgin conceiving, a Virgin bearing, a Virgin pregnant, a Virgin bringing forth, a Virgin perpetual. Why do you wonder at this, O man?
Too often, when Europeans talked of trans-Atlantic ties, we focused on the North Atlantic only.
Nowadays I see my work being used, without my permission, as if it was an attack against the Trump regime. People want to say, "No! That's not my America, not the America I know." I'm honored - it's just not me. But as we were saying before, the artist loses control.
They have no allegiance to Atlantic City whatsoever, other than nostalgia, and that doesn't pay the bills, ... The Miss America pageant has to do what it thinks best serves its interests, and if moving out of Atlantic City does, that's what it should do.
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