A Quote by Roger Rees
I don't know why, but I was really good in that first play.
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I know certain roles are important to me. I know that I really want to play them. I know I can do a good job. But I can never put into words why.
One thing about golf is you don't know why you play bad and why you play good.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
I'm not saying that what the radio plays isn't good. My issue is with what they don't play. You can play Jay-Z, but why don't you play Jurassic 5? You can play Nas and Nelly, but why don't you play J-Live? I want to open up the door to how it was back in the day.
I don't know why we play better on the road. I really don't. Chalk it up to coincidence, I guess. I don't think we care where we play, which is a good thing. But you'd like to see our home record be a little better than it is.
First of all, I would shoot myself if I ever had to play straight-forward characters that really don't have much of a past. Maybe it's just that I'm not a good enough actor to have to embellish, but I like having these really, really rich roles to play.
What makes a show good for me, personally, is a mystery that just doesn't quit. I want to know why. Why did this happen? Why is this phenomenon occurring? Why did that person do that? A series is really good to me that takes its time in answering those questions.
Some hit songs are really stupid, and who knows why they're hits. But a lot of hit songs are really good. I agree with Jim [Lauderdale] in that I think the really good ones are songs that when you hear it [sic]...there's just something about it that touches your heart, and you don't know why.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
I did play flag football. I actually got my lip busted. My team was really good; we won first place in the season, and won the Super Bowl. I was one of the defense guys. I was really good.
Maybe the first time that you know you really care about something is when you think about it not being there,and when you know-you really know-that the emptinessis as much as inside you as outside you.For it falls out,that what we have we prize not to the worth whiles we enjoy it;but being lacked and lost,why,then we rack the value,then we find the virtue that possesion would not show us while it was ours.That's when I knew for the first time that I really did love my sister.
A play should give you something to think about. When I see a play and understand it the first time, then I know it can't be much good.
I never like to play for myself, and that is why I don't own a grand piano. To play for yourself is like looking at yourself in a mirror. I like to practice; that is to work at a task. But to play there must be an audience. New things happen when you play for an audience. You don't know what will occur. You make discoveries with the music, and it is always the first time. It is an exchange, a communion.
I'm in a band. I have the basic idea, but when you surround yourself with really good players, why would I tell anyone what to play, because they're that good. They don't tell me what to play. They might encourage me, so that's what I do. I encourage them.
We are hunting the demons that haunt others. We get a smell and off we go. And you know why, Sunil? You know why we are so good at hunting the demons of others? Because we are so good, gifted even, at stalking and evading our own. But all demons hunters think that they are really heroes, and you know what all heroes need?
Why can't I ever play a nice, normal, salt-of-the-earth type? Is there something I should know? It's fun to play villains and character roles, of course - but I'm sure it's also fun to be a really big star and play the lead in everything, where all you have to do is show up and not blink.
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