A Quote by Roger Rees
'Nicholas Nickleby' was the best example, where 43 people could make an audience of 1,500 look at a fingernail at any given moment. It was so controlled, and yet it was a group of disparate individuals. It was a happy, constructive time, and it seemed to be an active discussion of what makes the theater work.
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'Nicholas Nickleby' is 800 pages long. At one time, the theater production was 15 hours long. So it's an interesting process, about what you leave out and what you select.
I find theater terrifying. There are no do-overs, you know? It's all happening live. You need to be in it 100 percent at any given moment, and the audience is right there. I'm really intimidated by theater, but it is my first true love. I love theater. I love that anxiety.
An album represents an artist or a band or a group of musicians at any given moment in time. You just produce the music that you feel good about and hope that the audience shows some interest in it.
Trusting people to be creative and constructive when given more freedom does not imply an overly optimistic belief in the perfectibility of human nature. It is, rather, belief that the inevitable errors and sins of the human condition are far better overcome by individuals working together in an environment of trust and freedom and mutual respect than by individuals working under a multitude of rules, regulations, and restraints imposed upon them by another group of imperfect individuals.
Can any man say with certainty that he was happy at a particular moment of time which he remembers as being delightful? Remembering it certainly makes him happy, because he realizes how happy he could have been, but at the actual moment when the alleged happiness was occurring, did he really feel happy? He was like a man owning a piece of ground in which, unknown to himself, a treasure lay buried.
I was 36 when I played Nicholas Nickleby.
An individual or a group of individuals might of course decide at any time that they would like to invest capital with the objective of acquiring still more capital. But, before a certain moment in historical time, it had never been easy for such individuals to do this successfully.
I'm not a huge fan of 3-D, though. Honestly, I think that movies are an immersive experience and an audience experience. There's nothing like seeing a film with 500 people in a theater. And there's something about putting on 3-D glasses that makes it a very singular experience for me. Suddenly I'm not connected to the audience anymore.
That's why everybody loves to tune in and watch these fights, because at any given moment, any given fight, any given fighters, anything can happen. A fighter could win nine out of 10 times, but there's always that one time.
At any given time, all of us have an empty spot: one that is calling for companionship, for example, or for justice, love, romance, or a belly laugh. When I sit down to write, I look to see what hole needs filling at that particular moment.
When I was doing the first 'American Pie' movie, I was just happy to have a job. We had a good time, and it was a great group of people, but like any project that I've worked on in my career, you just put your best foot forward, and you're all working together to make the best movie possible.
The challenges in taking any IP into any other platform are best met by empowering the individuals that can work best in that area and that is one of the things that I really admire about Marvel as a company. They go out and find the best people, whether it is to draw a comic book or create a television series or make a movie.
I always tell that to young people - go to college, do theater, work with an audience. Don't try to learn how to act in front of millions and millions of people. Don't make that your first ambition, to be on a sitcom or get into the movies. Learn who you are as an actor, and the best way to do that is to do it in front of an audience.
At the time it seemed like there was a loosening of culture, there was a counterculture, there was a radicalization. I think we totally misread what was really going on in the world, that somehow a small group of people could mobilize a larger group of people.
The camera must point at the exact spot the audience wishes to look at any given moment. To find that spot is absurdly easy: you only have to remember where you were looking at the time the scene was made.
I do think - I always tell that to young people - go to college, do theater, work with an audience. Don't try to learn how to act in front of millions and millions of people. Don't make that your first ambition, to be on a sitcom or get into the movies. Learn who you are as an actor, and the best way to do that is to do it in front of an audience.
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