A Quote by Roger Rosenblatt
A five-year old is in a pretty good position to assess who is beautiful and who is not. Removed from the confusions of sexuality, he or she can judge a face as a face.
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Wanderer: You don't really feel that way about me you know. It's this body... she's pretty isn't she? Ian: She is. Melanie is a very pretty girl. Even beautiful. But pretty as she is, she is a stranger to me. She's not the one I... care about. Wanderer: It's this body. Ian: That's not true at all. It's not the face, but the expressions on it. It's not the voice, but what they say. It's not how you look like in that body, it's what you do with it. You are beautiful.
And when she started becoming a “young lady,” and no one was allowed to look at her because she thought she was fat. And how she really wasn’t fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really liked a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. I wondered how her face would look when she came out from behind those doors.
A good pump is a silhouette, like the bone structure of the face. It's like a beautiful face with no make-up. You can cover a not-so-beautiful face with make-up, but it is just a mask - it is the same with shoes.
I know a girl who just looks at her face in the medicine cabinet mirror and never looks below her shoulders, and she's four or five hundred pounds but she doesn't see all that, she just sees a beautiful face and therefore she thinks she's a beauty. And therefore, I think she's a beauty, too, because I usually accept people on the basis of their self-images, because their self-images have more to do with the way they think than their objective-images do.
What can you say about a twenty-five year old girl who died? That she was beautiful and brilliant. That she loved Mozart and Bach. The Beatles. And me.
Past middle age, some friends suggested that I should have my eyebags removed, the deepening creases on my face stretched. I often examined my face in the mirror, imagining how I'd look if I followed the suggestion. I decided to retain the old mug. I was too familiar and comfortable with it. And the final hindrance: the cost.
The thought that, insignificant as she was, she yet might do some good, made her very careful of her acts and words, and so anxious to keep head contented and face happy, that she forgot her clothes, and made others do the same. She did not know it, but that good old fashion of simplicity made the plain gowns pretty, and the grace of unconsciousness beautified their little wearer with the charm that makes girlhood sweetest to those who truly love and reverence it.
Ruin looks us in the face if we judge a man by his position instead of judging him by his conduct in that position.
If the Khalifah implements even one law outside of the divine law, then he will be removed. The courts will face him and he will face capital punishment and he will be removed.
Robert Pattinson has the face of a film-noir dupe. It's a face that is searching and open and kind. It's a face that a certain type of woman might want to fool because, in its intensely old-fashioned kindness, the face says, I love you. Fool me.
It was as if personality itself had a 'face'. This non-physical face of personality seemed to be the real key to personality change. It remained scarred, distorted, 'ugly' or inferior the person himself acted out this role in his behaviour regardless of the changes in physical appearance. If this 'face of personality' could be reconstructed, if old emotional scars could be removed, then the person himself changed, even without facial plastic surgery.
Beautiful jewelry, a beautiful room - that's what museums are - a beautiful painting, a beautiful face, it makes you feel good to look at, and that's a beautiful thing.
I want a girl who looks good when she wakes up in the morning. We could take her face and dip it in dough and she'll make some nice-face cookies. Some girls wake up, man, you could put their face in dough and you'll get a gorilla cookie, for real!
This mum comes up, she's got a five-year-old kid and she says, 'Can he have your autograph, you are his favourite person in the whole world.' I thought, 'How cool is that? I've got five-year-old fans,' and as I'm signing this autograph, the mum goes, 'Yeah, yeah, you're by far the best Wiggle.'
I'm removed in my real life, and unable to express certain things face to face. So I have always found myself in this fantasy world. That's why I started writing songs and stories from a very young age. I'd much rather walk around anonymously cooking up tales than face the people that I have known forever.
For example, the face of Nicole Kidman in Queen of the Desert and she is the most beautiful goddess on screen that you can find anywhere around in the world. There's no imperfections, and yet I don't need to know every single pore in her face.
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