A Quote by Roger Ross Williams
The challenge and the goal was to get inside Owen's [Suskind] world, because I really wanted to see it through his point of view. To achieve that naturalism, I used a screen in front of a camera as I interviewed him
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I both didn't know Owen [Suskind] beforehand and didn't have any connection to the autistic community. But Owen wasn't really a problem, because he participated in the writing of the book and wanted people to see him as he truly is. As far as the cameras, Owen lives in the moment and the cameras really didn't distract him.
And then modelling, because it pays you really well and you get to travel, I was forced to get used to the idea of standing in front of a camera and having six or seven people watching me and that actually allowed me to loosen up from an acting point of view.
On the brilliance of James Brown's dancing ? and the frustrations of bad camera-work on dancers:cers: I think James Brown is a genius you know when he's with the Famous Flames, unbelievable. I used to watch him on television and I used to get angry at the camera-man because whenever he would really start to dance they would be on a close-up so I couldn't see his feet. I'd shout "Show him! Show him!", so I could watch and learn.
The last six months of 'EastEnders' were a struggle and when I watched Steve Owen's character on screen during that time, I could see that the sparkle had gone out of his eyes. I'd always wanted him to be based in reality, but towards the end, it started to get into too much of a formula.
Once I decide to take on a role it's because I find that guy to be really interesting to watch and very compelling to play. And from that point on I can no longer judge him. I can only take on his point of view in order to play him effectively. And his point of view is often not mine.
So long as the man with ambition is a failure, the world will tell him to let go of his ideal; but when his ambition is realized, the world will praise him for the persistence and the determination that he manifested during his dark hours, and everybody will point to his life as an example for coming generations. This is invariably the rule. Therefore pay no attention to what the world says when you are down. Be determined to get up, to reach the highest goal you have in view, and you will.
We can rarely see things from the point of view of another person because we look at the facts through the screen of an impression or an interest which distorts our view; and then there are accusations, quarrels and misunderstandin.
What I view as worship now is certainly a little different than how I used to view worship. I don't see it as a verse in a chorus, on a big screen with words, like I used to. It's just trying to be as real as possible in front of an audience.
Greg Kaidanov tried to get me to view his behavior as part of what makes him great - if he wouldn't get so upset about losing, he'd never maintain the level that he has. I see his point, but somehow I can't accept the idea that these sorts of verbal assaults on people are justified, no matter what their end goal is.
Only he who has a different visual opening can see the world in another way and can pass on to his neighbour the information required to broaden his field of view...let us get used to looking at the world through the eyes of others.
I realized that Owen [Suskind] is completely brilliant, because he embraced and memorized all these classic Disney films - these fables that chronicle the hero's journey, and have existed for thousands of years. Owen, in a sense, grew up on a diet of myth and fable, and has become an expert on their themes, which contain a moral guide that connects people.
I don't like to put too much effort into things. I find that once you get involved with special effects it is no longer about what is happening in front of the camera and I really want to concentrate on what is happening in front of the camera, like the man apparently peeing on the surface of the screen.
I used to hate getting dressed, getting in front of the camera and walking down the red carpet. It bothered me because I felt like I couldn't be what they wanted me to be. Now it's still not my favorite thing, but I get through it a lot easier because I know that my work brings value to who I am.
When the peacock has presented his back, the spectator will usually begin to walk around him to get a front view; but the peacock will continue to turn so that no front view is possible. The thing to do then is to stand still and wait until it pleases him to turn. When it suits him, the peacock will face you. Then you will see in a green-bronze arch around him a galaxy of gazing, haloed suns.
Ranbir has the ability to be a natural in front of the camera. There is nothing artificial about him. When I watch him on screen, I always feel that he is not acting. And I see this quality only in him among my contemporaries. I am a big Ranbir Kapoor fan.
I interviewed one of the most powerful lawyers in the world and he told me, "At the time, it was the worst thing in the world not to be able to get a job at a fancy law firm, but it's the greatest thing that ever happened in my life." It was a humble acknowledgment of how forces much larger than himself shaped his career. I really wanted to bring that point home.
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