A Quote by Roger Ross Williams
When I first saw a White Dutch person dressed up as Black Pete, I was both sickened and shocked. It's hard to stand next to someone who views your skin color and hair as a costume. As a filmmaker, whenever I get that feeling, I want to explore what motivates people to engage in such offensive behavior and enlighten folks about its origins.
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White people get to do that all of the time. They get to engage in bad behavior, even felonious behavior, but they rarely wind up in jail. But as a black person, losing your temper can cost you your life. Or insisting on your rights can cost you your life.
When I was in Mecca I noticed that their, they had no color problem. That they had people there whose eyes were blue and people there whose eyes were black, people whose skin was white, people whose skin was black, people whose hair was blond, people whose hair was black, from the whitest white person to the blackest black person.
If I describe a person's physical appearance in my writing, which I often do, especially in fiction, I never say someone is "black" or "white." I may describe the color of their skin - black eyes, beige skin, blue eyes, dark skin, etc. But I'm not talking about race.
I don't judge people by their sexual orientation or the color of their skin, so I find it really hard to identify someone by saying that they're a gay person or a black person or a Jewish person.
I adore my black skin and my kinky hair. The Negro hair is more educated than the white man's hair. Because with Negro hair, where you put it, it stays. It's obedient. The hair of the white, just give one quick movement, and it's out of place. It won't obey. If reincarnation exists I want to come back black.
The first time I saw the Dutch character known as Black Pete, or Zwarte Piet, my heart sank, and I felt a little nauseated.
Brown people and black people and red people swarmed through our great halls, until those who were white looked simply faded-out human beings beside them. Indeed, I came to see that white is not a color in skin any more than in textiles, and if it had not quality, it had no value even for humanity. I saw that color in skin had a certain advantage in strength and warmth as a means of beauty.
Race is a lie built on a lie. The first lie is that people are different, somehow skin color or hair texture is more significant than eye color, or the shape of one's feet. The second lie built on top of that is that there's a hierarchy that more significant difference, the color showing up as brown on your skin rather than brown in your hair, or whatever, is somehow more significant and there's some sort of hierarchy. That the lighter you are, the straighter your hair, the better you are.
The whole basis of working in black and white and grays became the basis of my understanding of color, because it's all about tone, it's all about light and dark. If you don't get that, then your color work is going to be a mess. So that's the beginning of the toolkit: drawing and black and white media.
I don't care what color your hair is, if you're pale or tan, if you have makeup on or just woke up all I care about is that when I look at you, you always look back and see me. You're beautiful inside and out and if you wanted to tattoo all that pretty white skin from head to toe I would be honored to put it there for you but if not I'll take you all smooth and milky white any chance I get.
Once you dye your hair for the first time, you see other people with dyed hair, and you see them differently than you did before. And you're just like 'Yes! Live! Work that color! Yes, I love you in every way! You're killin' it! I want to do that color next!'
When I decided to make 'Blackface,' a short film about Black Pete, I had little knowledge of the giant cesspool of hate I was about to dive into. I didn't realize how popular and passionate many white Dutch are about a figure that they connect to fond memories from their childhood.
The need of black conservatives to gain the respect of their white peers deeply shapes certain elements of their conservatism. In this regard, they simply want what most people want, to be judged by the quality of their skills, not by the color of their skin. But the black conservatives overlook the fact that affirmative action policies were political responses to the pervasive refusal of most white Americans to judge black Americans on that basis.
First we have to recognize that the cause of poverty is both structural and behavioral. And the first thing about the behavior part is that we need a moral revolution within the African American community. Look - no white racist makes you get pregnant when you are a black teenager.
Folks here in South Carolina want someone with a backbone, with a spine. Someone who's going to stand up for them and their families, regardless of who's in the White House.
Nowadays, people shoot digitally and it's all in color, but you press a button and it all goes to black and white. But it's not lit for black and white. So, it's a tricky thing. If you're going do black and white, you better remember to separate things with light, because color ain't gonna be there.
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