A Quote by Roger Ross Williams

When I visited Africa to make my film 'Music by Prudence,' I was struck by how intensely religious and socially conservative Africans were. There was literally a church on every corner.
When I was filming 'Prudence' in Zimbabwe, I noticed the hold fundamentalist Christianity had on sub-Saharan Africa. So I thought I'd like to make a film about religion in Africa because the prosperity gospel is big business where people are desperate, poor, and sick.
And truly, when you look at the Constitution and our founding fathers and their writings, the things that made this country great, you might draw those conclusions: That they were conservative. They were fiscally conservative and socially conservative.
After the Moslem Africans lost control over Spain, they began to prey on the Africans further to the south. They destroyed the great independent states in West Africa, and subsequently set Africa up for the Western slave trade and the Arabs were in the slave trade before Islam and they are still in the slave trade.
It always struck me that Africa was, in a strange way, a futuristic place and had elements and vibes and spirits that were going to inform the future. Africa Express is an attempt to engage that power outside Africa, and for everyone to benefit from it.
But the severe rules of discipline which the prudence of the bishops had instituted were relaxed by the same prudence in favour of an Imperial proselyte, whom it was so important to allure, by every gentle condescension, into the pale of the church; and Constantine was permitted, at least by a tacit dispensation, to enjoy most of the privileges, before he had contracted any of the obligations, of a Christian.
Africans are on the front lines of humanitarian efforts, distributing life-saving aid in dangerous environments. Africans comprise the vast majority of peacekeepers in civil conflict on that continent. Africans for the most part lead peace negotiations for the wars being fought in Africa.
I grew up with a sense of music being a very spiritual experience while playing in church and with parents who were socially aware, always teaching me to look beyond the obvious in understanding how the world works.
I delighted in the music of Africa, the earliest of the slave plantation songs, the transformation into Christianity and all that Christianity brought to the lives of the Africans who were forced to come to America.
Every time a Hollywood director shoots a film about Africa that features a Western protagonist, I shake my head - because Africans, real people though we may be, are used as props in the West's fantasy of itself.
Some of us attend the church on the corner, professing to worship the living God above all. Others, who rarely darken the church doors, would say worship isn't a part of their lives because they aren't "religious." But everybody has an altar. And every altar has a throne.
Tourists who go to Africa have more of a traditional experience than Africans do. A tourist goes on safari; Africans don't.
During my first visit, I was really struck by how deeply religious many Oklahomans are. It is a very conservative state and as somebody who grew up in a very liberal country, it was jarring to me at first.
The people and the cultures of what is known as Africa are older than the word 'Africa.' According to most records, old and new, Africans are the oldest people on the face of the earth. The people now called Africans not only influenced the Greeks and the Romans, they influenced the early world before there was a place called Europe.
I am highly susceptible to the force of all truly religious music, especially to the music of my own church, the church of Shelley, Michelangelo, and Beethoven.
Right after undergrad, I started doing low-level work on health issues in sub-Saharan Africa, and what struck me was the disconnect between how people in New York would speak about some of the issues people were facing. At the time, 2006-ish, there were a number of big media campaigns to raise awareness about HIV in sub-Saharan Africa.
My childhood was limited to mostly gospel music. We didn't have, like, a lot of records in our house, you know. It was like my grandparents who raised me. They were pretty old-fashioned in their religious ways, so it was like church, church, church, school, school, school.
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