No, I don't think I've ever really favoured English independence. My view is that if the Scots want to be independent then we should aim for the same thing.
I don't want you to think that I'm being willfully obtuse, but I've never really grasped how point of view could be regarded as a matter of choice independent of story. Point of view is intimately interwoven into the story that you want to tell - it is an aspect of it.
If strong economic conditions can partially reverse supply-side damage after it has occurred, then policymakers may want to aim at being more accommodative during recoveries than would be called for under the traditional view that supply is largely independent of demand.
Really, then, our problem is not weakness, but independence! And in covenant, you die to independent living.
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
Financial independence is paramount. My mom always says that when a woman is financially independent, she has the ability to live life on her own terms. I think that was the soundest advice that I ever got. No matter where you go in life or who you get married to, you have to be financially independent - whether you use it or not.
I didn't want to do a costume drama. It's a great thing to do, but I've done them, and I didn't want to do the same thing again. Of course, costume dramas can be from all different eras, but at the time, I just felt very sure that I didn't want to be boxed in as an English actress. I wanted to be an actress, rather than an English actress.
Just do what you want, I don't think you should ever... pointers and tips from people is great, and it's good and I don't think you should ever shun down advice, but if you feel something's wrong, then you don't do it. And that's what I'd say.
I can definitely say that of all my friends who I consider to be really great cartoonists, we're all trying to aim at basically the same thing, which is an ever closer representation of what it feels like to be alive.
The price a world language must be prepared to pay is submission to many different kinds of use. The African writer should aim to use English in a way that brings out his message best without altering the language to the extent that its value as a medium of international exchange will be lost. He should aim at fashioning out an English which is at once universal and able to carry his peculiar experience.
I want for India complete independence in the full English sense of that English term.
Nationality is a very curious thing. The blood is Scots and the temperament is Scots, but I am, in fact, 100% American.
I will for ever, at all hazards, assert the dignity, independence, and integrity of the English bar; without which, impartial justice, the most valuable part of the English constitution, can have no existence.
Everyone from Silesians to Sicilians to Scots seems to want autonomy or independence. The British voted to leave the European Union, and hostility to the superstate is rising across the continent.
The Scots will do anything to beat the English or just to see them lose, but I've never bought into that really.
Fame and success and awards should never be the aim. The aim should be: Are you enjoying the making of the thing?
A British imperium enabled Scots to feel themselves peers of the Ebglish in a way still denied them in an island kingdom. The language bears that out very clearly. The English and the foreign are still all too inclined to refer to the island of Great Britain as 'England'. But at no time have they ever customarily referred to an English empire.