A Quote by Roger Taylor

'We Will Rock You' we didn't think was a single. We almost saw it like an introduction to 'We Are the Champions,' which is a more classic, very grand song. — © Roger Taylor
'We Will Rock You' we didn't think was a single. We almost saw it like an introduction to 'We Are the Champions,' which is a more classic, very grand song.
I think when you write every song on your album - it's like having eleven or twelve children. It's hard to say I like this one song more or I like that one more. I love every song on the album. What's happening is that I'm hoping that everyone will be very satisfied. I think the single "Good Girl" will be adored by the people in the urban world and I think the "Best of Me" will be loved by people in the pop world.
Of course I always knew 'We Will Rock You' and 'We Are The Champions' and all those. But my real introduction to Queen the band and knowing who they were was the movie 'Wayne's World' like a lot of people in my generation.
You need to have spent your time from playing Top 40 pop rock in order to know how to play a song like 'Ritual,' a song like 'Absolution' or 'Idolatrine.' You need to know your classic drumming and your classic guitar.
Whenever I think I know something is a classic, or an amazing song, I realise it's still so subjective, because you and your friends could be talking about something, say, '(I Can't Get No) Satisfaction' - an amazing classic song - or someone would be like, "'Hey Jude' is an amazing song!", and I'd be like, "I don't really like it."
It's like a little folk song. I think it might've been Harry Belafonte or someone like that who did it. And "Merry Christmas, Everybody" by Slade, which is a rock group - a rock-pop group who are very big over there.
'I Want To Hold Your Hand' is a great classic by Paul McCartney and John Lennon, I sure love that song. I did like the classic version, a rock-oriented song, then someone heard me do it with the Grant Green approach - Grant Green and Larry Young did it, with a bossa nova beat on the funky side.
I played a couple of ideas and then had this unusual texture underneath which was like this little granulated kind of pipe organ almost like a scratchy record which he started [inaudible] brilliantly. "Oh I love that song." And when things go fine, it's good. So he started loving that song and that song was used quite a lot in the movie which is very granulated stuff on the guitar.
I don't know, when I was a kid, when I would see shows that changed my life, I would go to see shows where there was my mother taking us to see classic rock concerts, like Zeppelin, or when I saw Pink Floyd or when I saw, you know, when I was a little older, and I saw Nine Inch Nails, and I saw The Cure.
If you take a song like 'We Will, We Will Rock You,' 'You got blood on your face... ' - he's rhyming on that! And if you take the lyrics out of that song, you get a hip-hop beat. It's a rock song, though. So it's not out of my element for me to get with Black Lips.
It's wonderful for me to see what 'We Will Rock You' has done. 'We Will Rock You' and 'We Are the Champions' have kind of transcended the normal framework of where music is listened to and appreciated - they've become part of public life, which I feel wonderful about.
That's the beauty of creativity. It comes from the ether. I like to think, sometimes, it's like I haven't written it, it's more like I just reached up and grabbed it from somewhere. That song, 'Song of the Red Rock Mountain,' is one of them. I recorded it and thought, 'Where did that come from?'
I saw my rock'n'roll past flash before my eyes. And I saw something else: I saw rock and roll future and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time.
A classic song is timeless. You'll never outlive a classic song. I'll never put The Beatles 'In My Life' on one day and say, 'That doesnt move me any more.'
I was inspired by the classic rock radio of the Seventies. They separated Chuck Berry and the Beatles from the Led Zeppelins and Bostons and Peter Framptons of the time. In many ways, classic rock became bigger than mainstream rock.
When Chuck Berry came along, what he did was more rock & roll than it was blues. It was more exciting. He was like the next step. I thought his first single, 'Maybellene,' was the greatest song in the world.
My big brother listened to classic rock, and I grew up listening to a classic rock station called KSHE.
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