A Quote by Roger Taylor

My own introduction to music came quite early. My father didn't have much of an education, but he was keen for me to get some qualifications, and I ended up winning a choral scholarship to a cathedral school.
I was causing trouble in high school, and in order to get me to stop and to pass, they put me into theater, and I ended up winning a Shakespeare competition. All I had to do was imitate people properly, and I ended up going to the finals when I was about 16.
I ended up turning down a full scholarship of music at the conservatory to pay to go to cooking school.
'Salt' is like this snapshot in midair, an action shot. It's about my relationship with the church, the classical and choral music that I dealt with in school, and my new introduction to jazz. It's very hard for me to listen to from beginning to end, because I hear how lost I was.
I came here when I was 20. I came to go to school, but I ended up working for Halston as an assistant. That happened in a very strange way. My father had a meeting with Halston. And my father said to me, 'Join me. I want you to meet this amazing American designer.' And I happened to just tag along, and Halston offered me a job.
My brother was a year younger than I am and he was never in the home with me hardly at all, ... My mom had to take him to every school there possibly was to get him some education. He ended up first in Columbus, Ohio, for grade school, then went to a high school for the deaf and Galludet in Washington.
I just wanted to be a composer; I became an actor by default, really. I got a scholarship to a college of music and drama, hoping to take a scholarship in music. But I ended up as an acting student, so I've stuck with that for the last 50-odd years.
My older brother was a musical prodigy, and he got a scholarship to the Bronx House Music School. We moved to the Bronx when I was 4 to be close to his music school. Then I got a music scholarship myself, at the age of 6, but that was for a school down in Greenwich Village. I had to take the elevated train and then the subway to get there.
My father was working on his Ph.D. on Danish choral music - the Danish choral music of Carl Nielsen - so over there to do research.
I love music, and I once thought about doing a choral scholarship, but the people put me off.
I remember singing as a chorister in Peterborough Cathedral, having won a music scholarship to go to school there, and realising for the first time in my life what true excellence was.
The first big break was winning a scholarship to go to Cambridge University. I was very lucky, because my parents couldn't have afforded a university education for me. Without a scholarship I couldn't possibly have gone.
I was trying to become a legitimate trumpet player, and I had a scholarship to Eastman School of Music. I was really on my way. But I didn't take the scholarship. I got sidetracked, because when summers came around, I started playing with a rock-and-roll band.
My first introduction to chemistry came at a quite early age through my mother's elder brother.
All of my football, even my introduction, even my coaches, most of them came from Europe, particularly England. So pretty much my whole footballing education and introduction was through English football.
When I was four years old, my mother put me into a school for early music education where you get perfect pitch and harmony and composition.
My father died early. My mother died early. I started hanging with the gangs. I'm on the streets; I'm committing crimes. And the music came along, and this music just took me on a different road.
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