A Quote by Roger Taylor

It took about five years until we were properly over Freddie's passing. You learn to live with it. — © Roger Taylor
It took about five years until we were properly over Freddie's passing. You learn to live with it.
Well, Mark, I led the charge for five or six years to get reforms for Fannie Mae and Freddie Mac. I was chairman of an organization called 'FM Policy Focus.' What we were saying was, if there was blip in the housing market, Fannie and Freddie would destabilize the greatest economy in the world.
I can teach you to jump up in five seconds-it takes years to learn how to land properly.
You get way better from playing to the passing public. You learn how to entertain. But it took me a good three years out on the promenade to figure that out. You also learn what makes them stop dead in their tracks and what doesn't.
Typically, highway bridges have about 50 years. But over in England, they have iron bridges approaching 250 years. In France, there are Roman aqueducts that are approaching 2,000 years old. So a bridge can last a very long time if it's built properly in the first place and then maintained properly.
It took me five years to learn how to sing.
Twenty-five years ago my two main target species were goliath tigerfish and arapaima from the Amazon. Each took me six years to track down and catch, over the course of three expeditions to the Congo and six to the Amazon.
I fell in love with the LeBron 10s, I wore those for about five-and-a-half years and I didn't switch over until the 14s.
Jock Semple and I were at daggers drawn for five years, even though I kind of forgave him from the get-go. I knew he was an over-stressed race director, I knew he was protecting his race. It took five years because we had to do our homework - meaning we women - we did our legislative work and we officially got into the Boston Marathon. Then, all was forgiven by Jock Semple.
I predicted in 1950 that in five years, manufacturers the world over would be screaming for protection. It took only four years.
This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!
I had great difficulties learning to play initially because I could not think rhythmically properly, although it's an even-paced rhythm, I was not phrasing properly, I was too Western. It took me a while to learn to think in needed form, and the only way I could learn was just by ear.
All my life I have been trying to learn, to read, to see and hear, and to write. At sixty-five I began my first novel and after the five years, lacking a month, I took to finish it, I was still traveling, still a seeker.
Five years ago, people were crying and feeling the Japanese were about to take over the Earth. I don't hear that kind of talk anymore.
I didn't start to collect records and listen to guitar players properly until I went to art school, when I'd already been playing for five years. So my style was already formed, and that's why I think it's so unique.
It took me seven years of writing before I published my first story. And then, the publications trickled in over the next five years.
We don't really learn anything properly until there is a problem, until we are in pain, until something fails to go as we had hoped ... We suffer, therefore we think.
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