A Quote by Roger Waters

By the cold and religious we were taken in hand - shown how to feel good; and told to feel bad. — © Roger Waters
By the cold and religious we were taken in hand - shown how to feel good; and told to feel bad.
Self-absorption is always a temptation to young people, and if their religion is of a sort to add to this self-absorption, I feel that it is a serious mistake. If I had my way, the whole subject of feelings and emotions in the religious life would be absolutely ignored. Feelings there will be, doubtless, but they must not be in the least depended on, nor in any sense taken as the test or gauge of one's religion. They ought to be left out of the calculation entirely. You may feel good or you may feel bad, but neither the good feeling nor the bad feeling affects the real thing.
What matters is how I feel about it, cause if I feel good or bad about it, then the audience will feel good or bad about it and that's just sorta the job.
How can you be afraid to feel? Isn't fear a feeling? If you're feeling fear, you've felt one of the most negative emotions there is to feel. Everything else should be a piece of cake. Feel good, feel happy, feel healthy, feel loved, feel abundant, feel creative, feel compassionate, feel knowledgeable, feel powerful.
Let's say that you want to do everything out of the joy that comes from knowing the Lord. Well, a lot of people aren't built like that emotionally. If they think that some sort of feeling is the basis for their action, they are going to feel justified sitting around, although they are going to feel bad that they have never taken one step of obedience because their heart is cold.
Writing's not precious to me. It's not a thing that requires specific environment. You know, it's my job. Just like anybody with a job, you have to do your job when you don't feel like it, regardless of how good or bad the conditions are, regardless of how good or bad you might feel on any particular day.
I love fashion. I like dressing how I feel, and my music shows how I feel - they go hand in hand. My performance style is pretty much the same as my everyday style.
When I behold the passion for ornamentation, and the corresponding power, I feel as if women had so far shown what they are bad for, rather than what they are good for.
Where I feel something that I had written was misinterpreted in a way that made people feel bad, that is absolutely horrifying to me. I feel so embarrassed and I feel ashamed that I should make people feel bad.
I try not to read reviews because I know how sensitive I am and how debilitating it is and how it follows me around. If they're bad, you feel terrible, you feel worthless, no matter if you think they're wrong - and if they're good, it feels cheap and sleazy because you went looking for it.
I love the live shows when they're on and all singing great but I hate it when the judges say bad things about their singing. I feel sick because I feel it is mean because I've done the reality TV thing so I have such strong memories of what it feels like and I just imagine how bad and how nervous they must feel.
Feel, he told himself, feel, feel, feel. Even if what you feel is pain, only let yourself feel.
It's no coincidence that good words make us feel good and that hurtful or angry words make us feel bad. There is a 100 percent correlation between the words we choose and how we feel.
Good cinema is good cinema. It makes you feel like you need to work. Just yesterday I saw a good film, but even if I'd seen a bad one, I'd feel, "Oh my god, what a bad job, I can do better."
The deeper reality is that I’m not sure if what I do is real. I usually believe that I’m certain about how I feel, but that seems naive. How do we know how we feel?…There is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. There’s probably a third level, too—how I want to think I feel.
Virtue is its own reward. We only invented concepts like heaven and hell to describe how we feel. We don't feel good doing bad and it's nice to help someone.
No art is any good unless you can feel how it's put together. By and large it's the eye, the hand and if it's any good, you feel the body. Most of the best stuff seems to be a complete gesture, the totality of the artist's body; you can really lean on it.
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