A Quote by Roger Waters
I think there are things in my story that have helped my creativity. Your father being killed, for instance, is one of the best things that could happen to a kid if he's going to write poetry or songs.
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The Divine Comedy is a political poem and when you say poetry is not about - he's always quoted out of context, that "poetry makes nothing happen," that doesn't mean you shrug your shoulders and don't try to make anything happen. And Dante felt that poetry was engaged, there was a point of view; it's not my point of view, it's orthodox medieval Christianity, and I have my troubles with that. He didn't feel that you could just rule out so important a section of life - we care about these things, and it's out of caring about them that we write poetry.
Your father tells you a story when you're a kid, or your mother or your uncle or whoever it is. You sit there with your mouth open, and your mind goes to all these places they're telling you about that you've never seen, and you're agape. You just can't believe that things can happen like that - but it's just so direct.
Most songs I write are spur-of-the-moment-type things. I have to be spontaneous. If not, songwriting can bore me. There is no pre-design or idea of what I am going to do when I go into the studio. It's all like that for me. I could go in and write two or three songs in an eight-hour session. You can't over-think songs. You just can't.
I don't think of them as teenage songs. The things that happen to you in high school are the same things that happen your entire life. You can fall in love at 60; you can get rejected at 80.
I think from a major-label perspective, if you were on the flip side of things and that's the world you were used to working in, your interpretation could be, "Oh, they're having trouble writing songs," when really it's like, "No, I'm not ready to write songs, I don't want to write a song right now, if I did write a song, it would be forced."
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
There are only three things in the world, one is to read poetry, another is to write poetry, and the best of all is to live poetry.
People think with climate change what's going to happen is things are just going to get hotter. But that isn't really the whole story at all. One of the things that has happened in the past when the climate has changed a lot is that the glaciers melt, and so the weight on the tectonic crust is different, and that's the definition of an earthquake. If the tectonic plates are springing up or being pressed down, that's when earthquakes and volcanic eruptions happen. So every scientist I spoke to who had studied this thinks that we're in for a wild time.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
It's one of those scenarios you feel will never happen to you. Nobody thinks they're going to be the one, whatever, to get in a car wreck to have their, you know, their kids killed in a plane crash, whatever, you don't think those things are going to happen to you. And I didn't think that I'd be traded. So.
You always have to write script with a budget in mind. Although it's always good to write the big story, you really have to think about how things are going to work as far as cast, effects and settings. It's a process. You have to always think budget and then execute and make it happen.
Constantly through thought you are creating your inner conditions and helping to create the conditions around you. So keep your thoughts on the positive side, think about the best that could happen, think about the good things you want to happen.
The way to write really good songs is to write about the things that happen in your life and where you are in the moment, and writing about stuff that happens in your 30s is not the sexiest song subject.
That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
I couldn't have articulated this process at the time; I just sort of did it instinctually. But now when I talk about this with my students all the time, it's one of the first things I address in memoir classes - that you have to put it all in because you're writing your way into the ending of your own story. Even if you think you know what the story is, you don't until you write it. If you start leaving things out you could leave out vital organs and not know it.
It is a lot of responsibility. But I enjoy being a father. That's one of the best parts of my life. I feel like, man, that's one of the greatest things I've got going on, being a father.
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