A Quote by Roger Waters

When I first got a guitar, it was a Spanish, classical thing. — © Roger Waters
When I first got a guitar, it was a Spanish, classical thing.
I listened to classical guitar and Spanish guitar, as well as jazz guitar players, rock and roll and blues. All of it. I did the same thing with my voice.
A gut-string classical Spanish guitar, a sweet, lovely little lady. The smell of it. Even now, to open a guitar case, when it's an old wooden guitar, I could crawl in and close the lid.
It's just something I've always done. In South Texas, the first guitar you get is a Mexican guitar. And the first one I got, the first thing I did was take it apart.
The first guitar I ever had was a gut-string Spanish guitar, and I couldn't really get the hang of it. I was only 13, and I talked my grandparents into buying it for me. I tried and tried and tried, but got nowhere with it.
Its just something Ive always done. In South Texas, the first guitar you get is a Mexican guitar. And the first one I got, the first thing I did was take it apart.
The more I got into playing guitar, the more I enjoyed music, and the broader my listening became. The instrument itself became important to me, and I started messing around with classical guitar and took classical lessons.
I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.
The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
I started playing heavy-metal guitar because that's what I liked. And then I got into classical guitar because it was so technically complicated.
It's hilarious, because my guitar has what's known as a tremolo bar or a whammy bar. And the whammy bar is probably the most alien thing on my guitar that could possibly relate to a classical guitar.
I don't play classical guitar. But I do in my mind. I've got it on a stand.
... Andres Segovia literally created the genre of classical guitar, which hadn't existed before around 1910. There was flamenco, which he borrowed from, but he actually arranged the works of Mozart and other classical composers for guitar, something that had never been done before ... Segovias' style is not slick or contrived, but it's still very clean and his timing is impeccable ... it's got a feeling of casual elegance, as if he's sitting around the house in Spain with a jug of wine, just playing from the heart.
Music has always been in my family, but it was mainly keyboards. I learned to play classical piano, but when I first heard the amazing bass guitar of James Jamerson, who played on all the big Motown hits of the '60s and '70s, I knew bass guitar was my instrument.
I had learned classical guitar when I was a kid, and I embraced it, and apparently I got good at it.
Claude Debussy defined the guitar as an expressive harpsicord. I believe that is the best definition ever given of the Spanish guitar. This phrase is the starting point for my Concierto de Aranjuez Our guitar is the only survivor of the rich and anarchic instrumental wildlife of the Middle Ages.
I would like to spend more time with Spanish poetry. I know French better than Spanish, but Spanish was my first language, and my father spoke it to us.
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