A Quote by Roger Zelazny
Space opera was the sort of story on which I grew up. When I was younger, I read heavily in pulp magazines. They were readily available in the stores.
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I grew up in an era when money was not readily available. We were into the post-Depression years and World War II.
'Floating Worlds,' published in 1975 and the lone science fiction novel by acclaimed historical novelist Cecelia Holland, was unique in being completely devoid of the usual pulp influences present in much space opera up to that time.
Before I went to boarding school, I had never read a fashion magazine. I grew up on a council estate in London, and fashion magazines were a luxury item that weren't even on my mind. The closest I got to a fashion magazine was my cousin's 'Top of the Pops' magazines, where we would learn the lyrics to every song and put posters on our walls.
I decided to write Westerns because there was a terrific market for Westerns in the '50s. There were a lot of pulp magazines, like 'Dime Western' and '10 Story Western' that were still being published. The better ones paid two cents a word. And I thought, 'I like Westerns.'
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
A lot of women read male magazines. Of course, a lot of guys read female magazines, but they've got another issue to deal with. But a lot of women read men's magazines and think, 'Oh, this is what these guys are thinking? Studying up on the enemy here.'
I certainly grew up seeing more movies and television than I read books, but when it came time to do the thing itself you don't have to hire a lot of people to sit down and write a book, so that was the story-telling medium that was available to me.
A pulp story without a detective and, obviously, somebody for him to do battle with is unthinkable, and I can't remember reading a pulp story that didn't have a dame - either a good girl or a bad girl.
I don't know how much of a market there is for space opera. Just because it's in the movies doesn't mean magazines are buying it.
When I was younger, humans went to the moon when I was about 4 years old, and I imagined that as I got older and became an adult that traveling in space was going to be fairly common and something that we all did. So I grew up believing that I'll be an astronaut just like these guys were that were going to the moon.
I grew up in Memphis, Tennessee; I went to college in New Orleans before moving to New York City for graduate school. Both sets of my grandparents grew up in rural Mississippi and brought a lot of agrarian knowledge to Memphis, which is an urban center in the South. Both sets had amazing backyard gardens. My paternal grandfather, practically every inch of available space was green.
The challenges are different to different kinds of magazines. News magazines, magazines that have high frequency and news, are going to be challenged, heavily challenged, not just by the Internet but by the whole 24-hour news cycle which has just been getting enhanced.
Meanwhile, however, what’s most bothersome about Pulp Fiction is its success. This is not to be mean-spirited about Tarantino himself; may he harvest all the available millions. But the way that this picture has been so widely ravened up and drooled over verges on the disgusting. Pulp Fiction nourishes, abets, cultural slumming.
I like Modernism. I grew up around these sort of eclectic, heavily carved, baroque, rococo, highly ornamented styles that were in my life from the time that I was a child until now in my business life. So I like clean, straight, minimalist lines.
What we have here is a rousing boy's adventure story, adapted from stories that Edgar Rice Burroughs cranked out for early pulp magazines. They lacked the visceral appeal of his Tarzan stories, which inspired an estimated 89 movies; amazingly, this is the first John Carter movie, but it is intended to foster a franchise and will probably succeed.
Everyone has a story that they read when they were younger that influenced them.
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