A Quote by Roger Zelazny
In a sense, fantasy is a freer play of the imagination. You can achieve exactly the situation you want with less groundwork, less of a need to fill in all of the background. For science fiction, I would use a lot of sources to set up, for instance, what a being from another planet would be like.
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I did not write it [Coming of Age in Samoa] as a popular book, but only with the hope that it would be intelligible to those who might make the best use of its theme, that adolescence need not be the time of stress and strain which Western society made it; that growing up could be freer and easier and less complicated; and also that there were prices to pay for the very lack of complication I found in Samoa - less intensity, less individuality, less involvement with life.
Science fiction is fantasy about issues of science. Science fiction is a subset of fantasy. Fantasy predated it by several millennia. The '30s to the '50s were the golden age of science fiction - this was because, to a large degree, it was at this point that technology and science had exposed its potential without revealing the limitations.
I find fantasy easier to write. If I'm going to write science fiction, I spend a lot more time thinking up justifications. I can write fantasy without thinking as much. I like to balance things out: a certain amount of fantasy and a certain amount of science fiction.
Fantasy is fantasy. It's fiction. It's not meant to be a textbook. I don't believe in letting research overwhelm the fiction. That's a danger of science fiction in particular, as opposed to fantasy. A lot of writers forget that what they're doing is supposed to be art.
[Science fiction is] that class of prose narrative treating of a situation that could not arise in the world we know, but which is hypothesised on the basis of some innovation in science or technology, or pseudo-science or pseudo-technology, whether human or extra-terrestrial in origin. It is distinguished from pure fantasy by its need to achieve verisimilitude and win the 'willing suspension of disbelief' through scientific plausibility.
The list of what I want to do is so long, I would need a few lifetimes to achieve them. For instance, I would like to fly small planes, maybe over the Ganges one day.
People were interesting at first. Then later, slowly but surely, all the flaws and madness would manifest themselves. I would become less and less to them; they would mean less and less to me.
It's very tempting when you really want to be with someone to settle for much, much less - even a vague pathetic facsimile of less - than you would have ever imagined. Remember always what you set out to get, and please don't settle for less. These guys exist because there are a lot of women out there who allow them to.
We need to look at less obvious paths, things like the wind in the jet stream, which is very high up. The material science of what type of kite string you would need to connect up to that. That's still at the basic research level.
The truth is I couldn’t care less about needing a supposed 'thigh gap.' It’s just another tool of manipulation that other people are trying to use to keep me from loving my body. Why would I want to starve and weaken my natural body size? I’m not saying women who have it naturally are unattractive. But I would have to change my entire frame just to achieve something that seems so trivial.
When I need to wipe my face, I use the back of my hand, And I like to take up space just because I can, And I use my dress to wipe up my drink. I care less and less what people think.
Ninety-nine percent of everyday things are things we don't need - that goes for regular visits to the hairdresser just as it does for clothing. What would it mean if we all consumed 20 percent less? It would be catastrophic. It would mean 20 percent less jobs, 20 percent less taxes, 20 percent less money for schools, doctors, roads. The global economy would collapse.
I like certain subgenres within science fiction and fantasy, and one of those is urban fantasy, and another is steampunk.
I grew up a really nerdy kid. I read science fiction and fantasy voraciously, for the first 16 years of my life. I read a lot of classic Cold War science fiction, which is much of the best science fiction, so I speak the language well, which is a commodity that's not easy to come by in Hollywood.
Women are not as sentimental as men, and are not so easily touched with the unspoken poetry of nature, being less poetical, and having less imagination; they are more fitted for practical affairs, and would make fewer failures in business.
I would say that Futurama: Bender's Big Score requires a lot of concentration to watch. It's a very complicated time-travel story. Part of the joke on that was just that the complexity would be over the top. This one is a more straight-forward science-fiction story, I would say. Alien invasion and people running in terror, that kind of thing, with a slight twist of there being an inappropriate physical relationship with the big octopus monster. We've got a straight-up science-fiction movie.
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