A Quote by Rohini Hattangadi

Our filmmakers need to be true to their culture to gain appreciation at international level. Though I don't wish to generalize but do I feel that Indianness is lacking in most Indian films these days.
My best wishes are with Indian cricket in general. I wish each one of our cricketers success at the international and domestic level.
Having parents that have been through the wars of films and having a brother and sister who have done it at the highest level, you gain an appreciation. But we've always had closeness as a family. That's our anchor.
We have contributed through Indian culture; so many international collections are Indian-inspired. Why we don't make an international impact? We have talent, but we have not leveraged it, not married commerce to design.
The quality of players at the domestic level is very low when they come to the Indian camp. From that level to reach the international level, they will have to do lot of hard work at the Indian camp.
If we can ape other shows or even start Indian versions of international series by taking their franchise, why can't we take our shows to an international level?
Indian filmmakers sometimes twist the details and the mood of the film to give it the Indian masala flavor. This tod-marod in films is a rather big impediment.
Are there days where I wish I was just at home with my kids? Yeah, most days. But then I look at our accomplishments, and I feel alive; I feel so proud of myself. So it's a very confusing thing to be a working parent.
You often hear attacks on international adoption as robbing a child of his or her culture, and that's both true and false. It's true that an internationally adopted child loses the rich background of history and religion and culture and language that the child was born into, but the cruel fact is that most children don't have access to the local, beautiful culture within an orphanage.
The only thing I wish was happening more was that there were more Indian characters. Like the movies with leads that are Indian and they talk about Indian culture versus Americanized Indians.
It is not my behavior to either wear minimum clothes, to band or to even be comfortable with a sex-symbol label. I just want to do fine work instead of sporting such meaningless tags. Sex sells, but to a small extent, not always. And this is what filmmakers have to accept. The exposure has to be significant to the film and its characters and not forced for the sake of titillation. On the contrary, some of the greatest Indian films have been devoid of all these sexual trappings. I know my comfort zone in today's Indian culture and society.
Filmmakers need to realize that their job isn't done when they lock picture. We must see our films through. Studios no longer do this for a large percentage of films. The odds that your film will get a major campaign are dim these days. So you must find and nurture your own audience and make sure your film has a life.
I am a product of Indian cinema; I've grown up watching Indian films ever since I can remember. And song and dance is part of our lives, it's part of our culture we wake up to songs, we sleep to lullabies, you know, we celebrate every religious and traditional function with music.
I am a product of Indian cinema; I've grown up watching Indian films ever since I can remember. And song and dance is part of our lives; it's part of our culture; we wake up to songs, we sleep to lullabies, you know, we celebrate every religious and traditional function with music.
For the theatrical experience to survive, spectacle films need to expand their definition of what they can be. They need to be unique and true voices of the filmmakers behind them. They can't just be copying what came before them.
As for international understanding, I feel that macaroni has done more for our appreciation of Italy than Mussolini.
Coldplay's 'Hymn for the Weekend' video featuring Beyonce is already caught in a heated conversation about cultural appreciation of Indian religion and culture versus cultural appropriation of that culture for the western gaze.
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