A Quote by Rohini Hattangadi

I have got the opportunity to work with my favorite actors and enjoyed every bit of working with them. — © Rohini Hattangadi
I have got the opportunity to work with my favorite actors and enjoyed every bit of working with them.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
The lack of opportunity is ever the excuse of a weak, vacillating mind. Opportunities! Every life is full of them. Every newspaper article is an opportunity. Every client is an opportunity. Every sermon is an opportunity. Every business transaction is an opportunity, an opportunity to be polite, an opportunity to be manly, an opportunity to be honest, an opportunity to make friends.
My two favorite actors are Naseeruddin Shah and Farooq Sheikh. I am happy that I got to work with them.
To have the opportunity to work with Tiger Woods was just so awesome. I enjoyed it. I enjoyed the challenge. I enjoyed the good parts where he was winning. And I enjoyed the challenge to help him get better. But six years was enough.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children, you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be, and you let them go.
A lot of British actors will look at America as such a land of opportunity. In England, there's such a small pool of working actors of color. There's such a small amount of work that is actually produced in the first place.
A lot of British actors will look at America as a land of opportunity. In England, there's such a small pool of working actors of color. There's such a small amount of work that is actually produced in the first place.
Theres just a big group of actors in London. There are new ones coming in all the time, who are looking for work, and established actors who are interested in working and like to work. To be a working actor in England is a life.
Part of why I wanted to produce was because I wanted the opportunity to work on projects I want to see. As a writer and as a director, I'm very specific about the kinds of things that I want to do. The opportunity that producing has given me is that by working with different writers and trying to get their movies made, or developing their script, or making their movies, every time I'm doing it, I'm learning and then bringing something to my own work. I like to think that there's a little bit of back and forth that goes on.
Even in the early '90s, I was already starting to mix professional actors with non-actors. I always enjoyed working with non-professionals, because their performances are very natural and unaffected.
I'm not proud of having been married -I've had five affairs, all of them real wingdings. I've enjoyed every goddamned minute of them, but sooner or later I've outgrown every one of them, and when I did I got fed up and threw them out. If they can't keep up with me, the hell with them.
A couple of my favorite actors are Don Cheadle, Jeffrey Wright, and, may he rest in peace, Philip Seymour Hoffman. I've had an opportunity to see all of them onscreen and onstage.
I've had production offers with artists I really admire, and oftentimes that doesn't work out. Sometimes it does, but... For instance I was asked if I wanted to do a Talking Heads album back in the late '70s, early '80s, and I was already working on a different project and didn't have time, so I never got the opportunity to work with them.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
The thing about photography is that every day is a new day, even if you are working on the same story, because every day you have got a chance to correct what you did the day before, and try to take it a bit further or a bit back.
The goal for me is always to have the opportunity to work in different genres. This is a great and exciting time in my career, where I can have the opportunity to work in different genres, and also I recognize there's not a lot of actors who have that opportunity and I'm grateful for it.
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