A Quote by Rohini Nilekani
What role can such philanthropy play in a society like ours? For one, philanthropic capital can go where markets will not go and where states often cannot go.
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Private equity capital in each of those markets Europe and Asia - while those markets have very different characteristics - fills a niche where either strategic investors or the public markets don't go, or don't want to go for some particular reason. I think that's going to continue to be the case going forward.
Philanthropy is often seen as society's risk capital. That means the onus is on philanthropists, nonprofit leaders and social entrepreneurs to innovate. But philanthropic innovation is not just about creating something new. It also means applying new thinking to old problems, processes and systems.
At home in the states, I think there's a tendency in the states to go for the latest, greatest thing. The latest, greatest is the latest greatest. I think when you're talking about France, England, things like that, they look for the history of an artist and they go back when it comes to music like this anyway. They will go back a little bit further. I think the United States is very knowledgeable and it's a good place to play.
I'm not a Method actor. I don't believe acting should be psychodrama. I look within myself and see what I can find to play the role with. If I'm playing a blind man, I don't go around blindfolded for days. A lot of good actors would, but I don't go in for that very much. I like to just make it up as I go along.
Britain, relative to the U.S., is a highly secular society. Philanthropy alone cannot fill the gap left by government cutbacks. And the sources of altruism go deep into our evolutionary past.
When markets go down, opportunities go up for smart real estate investors. I would much rather play the downturn than the upturn.
The whole punk scene is, of course, responsible for the Go-Go's ever getting created. Because before punk rock happened, you couldn't start a band if you didn't know how to play an instrument. But when punk happened it was like, 'Oh, it doesn't matter if you can play or not. Go ahead, make a band.' And that's exactly what the Go-Go's did.
When you are starting a new business you don't want to go after giant markets. You want to go after small markets and take over those markets quickly.
If you don't practice for three days, everyone will notice." It's something you have to really maintain. So unfortunately, I don't play it that often but I may take it up again. If you don't play for a while, you just can't hit the notes. It's like going to the gym. If you go and do weights, you can lift x amount of weight and if you don't go for ages, you've gotta start again and start from the beginning. So it's a bit like that. It's just a muscle.
I sit at home and read books. I watch movies. I watch television. I go and play golf. I don't go to nightclubs. I don't go out to dinner that often. I'm not a big party guy.
People often panic when the markets go down and sell off their stocks - but then they aren't in the game when the markets are doing well.
If you don't want to go to college, don't go to Capital Prep. Go somewhere else.
It depends on how Johnny's feeling... If we go back on the road, we will go together. I'll go where he goes, and he'll go where I go.
If we hold tightly to anything given to us unwilling to allow it to be used as the Giver means it to be used we stunt the growth of the soul. What God gives us is not necessarily "ours" but only ours to offer back to him, ours to relinguish, ours to lose, ours to let go of, if we want to be our true selves. Many deaths must go into reaching our maturity in Christ, many letting goes.
Go-go is so drum and Congo based. It's almost like music from Africa. The drums like on 'Planet Paradise' are deeply African-rooted. It's really bouncy and the same speed as go-go music. That's an example of the influence go-go had on me.
The players don't play the position game as much as we used to play. A lot of young guys go up and down, shoot the puck, go for the rebounds. You're getting tired quicker because the body has to react where the puck is going to go. You cannot read it, because you don't have the puck on your stick.
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