A Quote by Rohit Saraf

I think everything's a part and parcel of being in this profession, rejection being a huge, huge part of it, and I can't tell you how grateful I am for all those rejections because one thing that I understand is that you have to be really, really strong headed, you have to be very level headed, If you want to be in this industry.
I think the music industry, for instance, is such a huge, multibazillion-dollar industry and it's become very, very savvy. There's a very short grace period in which actual human rebellion or resistance can thrive before it's co-opted by these huge companies. And all of youth culture is packaged and sold back to us at this furious rate these days. I think it's part and parcel to this corporate encroachment on our lives in general.
I’d recommend learning to accept rejection. Become friends with rejection. Be nice to rejection, because it’s a huge part of being a writer, no matter where you are in your career.
Improv is such a huge part of my background, and a huge part of character discovery is really being inside the character and trying to think through them without the limitations of the script.
The industry is a difficult place to be in. It is not at all rosy. There are judgements being made. I don't like bad publicity, but that is part and parcel of it. However, I am grateful for whatever I have got from the industry.
A huge part of my identity is being a woman, and that's really important for me, and that's a big part of my self-expression, so I think it's really interesting sort of exploring what it means if someone doesn't have that.
I never want to forget that I'm doing an impossible thing. How rare is it that you get to be part of something people love? It's really special. It's a very out-of-body experience to be a part of something so huge.
The best part of learning any profession, when you're really going through those huge stretching escalated times of learning and energy, is when you want to do it so much.
I think rejection is a huge part of the business and there's so many cute girls that grow up with kind of being adored or people kind of bending over backwards for them. I see a lot of girls who aren't used to rejection because of that, and now all of a sudden they drop out of the business.
The Vixen character is not quite me. A part of that is putting up this huge front of being strong, impenetrable, really tough and a little bit condescending.
Being Nigerian is a strong part of my identity. Being American is a strong part of my identity. And there are important parts of who I am that really have nothing to do with my national connection.
From the age of four, I was a huge comic fan and still am. When Lost in Space came along it was like being in a huge comic so we jumped at the chance of being part of that project and it proved to be a good choice.
Being a mom myself and it being a huge and important part of who I am, made it easier for me to play the role of a strong, fierce, giving mom...
The French view is really one of balance, I think... What French women would tell me over and over is, it's very important that no part of your life - not being a mom, not being a worker, not being a wife - overwhelms the other part.
A huge part of my career and how I want to participate in the world is being unapologetically myself and being honest and vulnerable.
Being part of a community of writers is huge. I really think that's why people go to MFA programs.
Part of the challenge of being an entrepreneur, if you're going for a really huge opportunity, is trying to find problems that aren't quite on the radar yet and try to solve those.
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