A Quote by Rohit Saraf

I've learnt on set with different directors I've worked with. — © Rohit Saraf
I've learnt on set with different directors I've worked with.

Quote Author

I learnt a lot from the directors with whom I have worked like Sudhir Mishra in 'Daas Dev,' Prawaal Raman in 'Main Aur Charles.'
I'm lucky that I've worked with so many different directors with very different styles and with a lot of different actors.
I'd worked with directors who wouldn't collaborate. Then I've also worked with directors who didn't really know what they wanted. I knew I didn't want to be either one of those guys - or girls.
I have been fortunate to have worked with immensely talented writers and directors who have had faith in me. There's been very little hard work but a lot of learning. I have learnt from each of my characters, and I think that's rather amazing.
I worked for 20 directors as a production designer, most male. I was on the set to witness firsthand a range of sometimes atrocious emotions - well-documented firings, yellings, fights between directors and actors, hookers, abusive things, budget overages, lack of preparation. A man gets a standing ovation for crying because he's so sensitive, but a woman is shamed.
All my life, I've been working with male directors, which I've really enjoyed. And I'm lucky in that I've worked with men who have a lot of respect for women. But working with a woman is a different experience. It feels like the communication is different.
Directors don't get to see other directors at work - they're the only one on the set. I've met directors who've asked me what another filmmaker is like. So, there's probably nobody better placed to make all the comparisons and to pick up stuff than an actor.
That really sets great directors apart from good directors: their ability to make you feel like you matter, even if your part is much smaller. That's one thing I found with most of the great directors I worked with: They all have that skill. Not everyone takes the time.
It's funny, I worked with a lot of directors in the many years that I've been doing this, and generally when you hear a director yelling on set, everybody scatters in the other direction.
I have worked with a lot of great directors but my favorites are all entirely different from one another. They don't go about it the same way.
There are things that directors know about me that people shouldn't know. But everyone's really different. I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.
I felt I knew Lugosi. Like him, I had worked for good directors and terrible directors.
I've worked with a couple of female directors now, and I think that they're amazing. As good or better than guy directors.
Yeah, I've worked with a couple of female directors, now, and I think that they're amazing. As good or better than guy directors.
For film, I audition just like everyone else, because it's a different set of casting directors.
Every director is different and they all have different styles. I've worked with directors who were very specific and they gave a lot of direction. The one thing about Michael [Haneke]that I think is interesting is that he really has a reason for everything he's asking you. If you challenge it, he is open for discussion but he has a clear idea of what he wants with reasons why.
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