A Quote by Roisin Conaty
I'm a terrible dresser. I wouldn't know what's in or what season I'm in. It's a real effort for me not to look mad.
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I always say the classier cousin of 'Anchorman' is 'Mad Men,' because when you really look at it, why do people really love Don Draper in 'Mad Men?' He's just a terrible guy. But we know why he's terrible, and I think that's really key to why you can be sympathetic to a character.
All my life, people have asked me what I was so mad about. 'Why you so mad?' And I was never mad. I'm not mad, I just look mad.
I'm a counterpuncher. I don't have a choice. If you look what they say about me, it's terrible. I mean, they say terrible things about me. Bobby Jindal - I mean, you talk about lightweights, this guy is a real lightweight. And he hit me - I don't even know this man - and he hit me because - and they're not hitting me on fact. They're hitting me in order to try to pick up something in their polls.
After Mad Season, I started writing my own music for Pearl Jam and brought it in. 'Given To Fly' came out of that, and so did 'Faithful' - those were on 'Yield,' which came after Mad Season.
You don't have to paint your walls lime green just to try to have your home feel decorated. If you're a classic dresser or preppy dresser or a modern dresser, you wear a lot of black - whatever it is - your home should reflect that as well.
Harry Potter isn’t real? Oh no! Wait, wait, what do you mean by real? Is this video blog real? Am I real if you can see me and hear me, but only through the internet? Are you real if I can read your comment but I don’t know who you are or what your name is or where you’re from or what you look like or how old you are? I know all of those things about Harry Potter. Maybe Harry Potter’s real and you’re not.
It's all real in Outside, everything there is, because I saw an airplane in the blue between the clouds. Ma and me can't go there because we don't know the secret code, but it's real all the same. Before I didn't know to be mad that we can't open Door, my head was too small to have Outside in it.
I worked real hard to learn to play first. In the beginning, I used to make one terrible play a game. Then, I got so I'd make one a week, and finally, I'd pull a real bad one maybe once a month. At the end, I was trying to keep it down to one a season.
A person has already made the effort once they open a paper or turn on the news. They want to know what's going on in the world around them. That, in itself, shows they care. But the problem is, most people say, 'That's terrible,' and then move on. Because they find it too difficult to look at.
The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved.
My Mom and Dad always told me to not act on emotion, act on what is real. When you're mad don't do something wrong because you're mad.
What really bothers me, what gets me mad, is when people don't know the story, but then pretend like they know the story. That's what bothers me. That's what makes me mad.
I am wearing Santo Loquasto's beautiful costumes. I get to stand on stage at 71 years old wearing the most darling dance boots. I am working with my dresser, who is the best dresser on Broadway; he's traveling with me. It's divine. It doesn't get better than this.
Interviewer: [What do you get up to] In real time?
Brian Molko: I go on Placebo sites and have a terrible time trying to convince fans it's actually me. No one ever believes it. I've spent about four hours, giving away intimate details about myself that I'd never tell a journalist, in an effort to prove that it's me.
Look, it's terrible, I know, but weakness really, really bugs me, to the point that if there is a wounded bird on the sidewalk, I look at it and I go: I think I'll just kick it.
People call me the human emoji because I think people recognize that if I'm ever thinking something or feeling a certain emotion, it goes straight to my face. So if I'm happy, you'll know I'm happy, and if I'm mad, you'll know I'm mad just by looking at me.
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