A Quote by Roisin Murphy

At 16, I got housing benefit, and I had my own flat in an old woman's house. I was the only 16-year-old I knew living alone. — © Roisin Murphy
At 16, I got housing benefit, and I had my own flat in an old woman's house. I was the only 16-year-old I knew living alone.
I signed with a club when I was 12. I started living by myself at 14. I turned pro at 16. I grew up playing nothing but point guard, and suddenly, I was a 16-year-old small forward matched up against 35-year-old men.
Now I have the voice of a 16-year-old. I'm looking for a doctor who could give me the body of a 16-year-old.
I've been playing rock and roll since I was 16 years old, and now I have a 16-year-old.
It's true. somewhere inside us we are all the ages we have ever been. We're the 3 year old who got bit by the dog. We're the 6 year old our mother lost track of at the mall. We're the 10 year old who get tickled till we wet our pants. We're the 13 year old shy kid with zits. We're the 16 year old no one asked to the prom, and so on. We walk around in the bodies of adults until someone presses the right button and summons up one of those kids.
I learned an invaluable lesson from a kid in Argentina when we were playing Buenos Aires in 2002. I came out of the hotel and this 16-year-old-boy asked me to sign his copy of my Six Wives of Henry VIII album. As I was signing it I asked him 'what does a 16 year-old like about this old music?' and he looked at me, quite hurt, and said, 'it might be old to you, Mr Wakeman, but I only heard it for the first time last week. When you hear something for the first time, it's new.' I've never forgotten that.
I don't mind having 16-year-old fans, but I hate just having 16-year-old fans. I want more diversity.
When I was 16 years old, watching football for the first time, the Cowboys were always on TV - unfortunately, looking back at it now - but Jason Witten was the guy who carried himself, in my opinion as a 16-year-old kid, the right way. He was a phenomenal tight end.
Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.
The videos have given us a younger audience. You know, our audience grew up with us until the videos, and they were beginning to get a little long in the tooth. Then the videos came along, and now we've recaptured the 16-year-old girls. The 16-year-old girls!
The quality of the work when I was 16... I've had my issues with it, but I've learned to forgive myself because I was 16 years old.
It strikes me as weird that a 25 year old man would even find a 16 year old attractive.
We've got a younger fan base - and their parents. One day when we were at Abbey Road, an entire family was outside waiting for us - like, a nine-year-old, a 16-year-old, and their mother. They can agree on liking us for whatever reason. It's kind of strange.
I feel like a 16-year-old trapped inside a dead woman's body.
When you grow up in New Orleans, like, the only way to be an artist is to be a 55-year-old black musician. That's basically what we wanted to be. If you had asked me very truthfully what I wanted to be when I was 16, the answer would've been, 'I want to be a 55-year-old black musician.'
Sometimes I feel like a 16-year-old who's got a blank check.
When I was 16, I played Tallulah in 'Bugsy Malone' at the Queen's Theatre. Me and five others shared a flat together in Blackheath. It was brilliant being 16 and living in London with my mates.
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