A Quote by Roisin Murphy

When I was 16 and on a tour of Europe, I fell in love with Le Corbusier's Notre Dame du Haut chapel in Ronchamp, France. I'd quite like to live in it. — © Roisin Murphy
When I was 16 and on a tour of Europe, I fell in love with Le Corbusier's Notre Dame du Haut chapel in Ronchamp, France. I'd quite like to live in it.
There are two kinds of people in the world, Notre Dame lovers and Notre Dame haters. And, quite frankly, they're both a pain in the ass.
The University of Notre Dame does not redshirt, and I endorse that policy completely. I am very much in favor of redshirting, but not at Notre Dame. But there's no doubt about it. It puts us at a huge disadvantage.
To my father, Notre Dame represented the underdogs of the world, the Italians, and the Polish people. I told him that one day I would play football for Notre Dame and worked hard to make that dream come true.
If you look at the history of Notre Dame, if you hire a coach who's been successful at another college program, they're going to be ultra successful at Notre Dame because the talent will always be there.
I remember when I drove into Notre Dame, getting ready for the first day of work. I had an electrical charge go up my back because I realized all of a sudden that I was responsible for the traditions that the Knute Rocknes and the Frank Leahys had set, and what Notre Dame stood for.
You don't go to Notre Dame to learn something, you go to Notre Dame to be somebody.
You don't go to Notre Dame to learn something; you go to Notre Dame to be somebody.
The only reason I wanted to go to college was so I could go to Notre Dame, and so after I graduate from Notre Dame I could go to heaven.
Three coaches at Notre Dame made a big difference in my life, not that I played any football when I attended Notre Dame. But Frank Leahy, Ara Parseghian, and Lou Holtz - they all made a difference to me, and I respected them for their attitudes about life and how they handled loss.
Our farm is a 15-minute walk to Pablo Picasso's last home. Alongside it stands the lovely Notre-Dame-de-Vie Chapel with its 13th-century bell tower, which was visible to Pablo from his atelier.
Notre Dame and Sydney - that was nothing. Notre Dame doesn't have a police station; it is not 1,000 or so feet high. It was a public structure, very easy to access. And Sydney Harbour Bridge was half-and-half: a bridge, in the middle of the night. The World Trade Center was the end of the world. Electronic devices, police dogs.
I feel comfortable singing in the great cathedrals of the world because I spent so much time as a child singing in church. And it isn't very different. Of course, nothing looks quite like Notre Dame de Paris.
I was still rooting for Notre Dame.It's like there's the cultural Catholic experience.
After the Second World War, I returned to California to study composition with Darius Milhaud, who wrote wonderful works like 'Le Boeuf sur le Toit' and 'La Cretion du Monde.' I especially enjoy his work for two pianos, 'Scaramouche.
After the Second World War, I returned to California to study composition with Darius Milhaud, who wrote wonderful works like 'Le Boeuf sur le Toit' and 'La Cretion du Monde.' I especially enjoy his work for two pianos, 'Scaramouche.'
We're not living in a school-of-Paris world, you know, and the things we really see in America are like this. It's McDonald's, it's not Le Corbusier.
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