A Quote by Roisin Murphy
The day I turned 16, I moved into my own flat. My parents had just broken up, and I didn't want to go back to Ireland with my mother. I was doing my A-levels, and my friends would come over and watch 'Twin Peaks.'
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I said to my mum when I turned 18 and moved into my first flat in Enfield, 'I don't want to come back to my country with nothing. I want to make a career here.' I did not want to let them down.
In a sense, 'Twin Peaks' never really went away. They've got a 'Twin Peaks' convention up in Washington every year, and I'm pretty much recognized on a fairly regular basis from 'Twin Peaks,' so I feel like it never really got too far away.
A woman's body never really belongs to herself. As an infant, my body was my mother's, a detachable extension of her own, a digestive passage clamped and unclamped from her body. My parents would watch over it, watch over what went into and out of it, and as I grew up, I would be expected to carry on their watching by myself.
The thought of a man being the murderer of his own daughter in the Twin Peaks was anathema to me. At the time, I had a 2-year-old daughter of my own, and that possibility really turned me off. I was praying that I wouldn't be the one.
Well to me growing, up I've had my own psychological war with my parents dying at such a young age. My mother was killed by a drunk driver, then two months later my father drowned. He was out with his friends drinking and on medication for depression, and he didn't come out of the water alive. Growing up with sexual abuse and having to be in gangs and dealing with my own trauma; finding the cultural identity when I was 16, and learning those traditional ways saved me from hurting myself.
I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.
The fact 'Twin Peaks' had a life at all took most of us in the cast by surprise. We thought it would be too unusual for network television. The original intention was that it would be a two-hour movie. If the network didn't want to pick it up as a series, it could just show that. But ABC took a chance.
The first thing I think I ever played in public, aside from singing in church, would have been - and this is a true story - when I was about nine or 10 years old, I was obsessed with Twin Peaks. I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
We have long had emigration in Ireland. But the nature of emigration has changed. With ferries to Britain and the continent, as well as air travel, emigration isn't the cutoff it used to be. In addition, some of our young people are being educated to levels beyond our present capacity to provide the jobs they are qualified to do. So they go abroad. Many want to come back, especially when they have children they would want to be raised in the Irish society and in the Irish educational system.
I'd go over to friends' houses and ask them to put on some Howlin' Wolf, and they wouldn't know what I was talking about. Then, when they would come over to my house, I'd play them some blues. Their parents wouldn't let them come back. The blues were still called 'race records' back then.
In the Great Depression in which I grew up and remember vividly, unemployment was over 25 percent, and over 35 percent where I lived. A grown man would work all day, 16 hours, for a dollar. I remember hundreds of people walking by, people who had come down from the North just to get warm. They would come to our house as beggars even though they might have a college education. People didn't have money. They bartered; they'd trade eggs or pigs. It was just completely different.
I called my mother immediately to inform her that she was a bad parent. "I can't believe you let us watch this. We ate dinner in front of this." "Everyone watched Twin Peaks," was her response. "So, if everyone jumped off the Brooklyn Bridge, would you do it, too?" "Don't be silly," she laughed, "of course I would, honey. There'd be no one left on the planet. It would be a very lonely place.
As good as 'Twin Peaks' was, and I mean, it's a superb work that's way ahead of its time, and we've never caught up, and we never will... I mean, we will never catch up to 'Twin Peaks.'
I mean Ireland, in all honesty I owe Ireland a lot because I think, and I'm not just saying this flippantly, Ireland is probably the reason that I do the job I do because when I started doing stand-up I came to Ireland and I just sort of gelled with the idea of doing it the way I do - telling stories.
Because my parents, growing up, they worked hard. Everyone in my family woke up early in the morning. I used to see my mother and my father go off to work, and come back and, no matter what, they had time for the kids.
I was a little tomboy, growing up, but we had to go to the library every weekend if we wanted some form of entertainment. And I would gravitate towards the Shirley Temple, Judy Garland section of the library, and I would just pop that in and watch on replay because kids can watch movies over and over again.
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