A Quote by Roisin Murphy

The most healthy way to be creative is to work with what you have and not sit around wishing you had something different. — © Roisin Murphy
The most healthy way to be creative is to work with what you have and not sit around wishing you had something different.
I think it's healthy that people that work in a creative field look for inspiration in a different creative field.
I mean, we sit around and we go, you know, 'Torture doesn't work.' Well, it's been around for 5,000 years. Most stuff that doesn't work goes the way of the dodo pretty quick, like waterbeds and 8-tracks and things like that.
Copying isn’t particularly creative work. Being inspired by someone else’s idea to produce something new and different IS creative work.
It occurred to me that every work of art is a synecdoche, there's no way around it. Every creative work that someone does can only represent an aspect of the whole of something. I can't think of an exception to that.
How many times have we come away from an argument wishing we had said and done something different?
Everyone is creative, but me and my colleagues are using a different definition of creativity than is implied when people say they are not creative. We believe that people are being creative if they are bringing out their highest inner resources to improve their lives and those around them. Those who are living from their core, and doing what they are destined to do, are being creative, no matter how mundane their work or profession might seem.
The model we established was to give creative people complete creative freedom in exchange for betting on themselves, so they work for the minimums you're allowed to work for, and if the movies work in a big way, everyone does very well. If the movies don't, nobody loses too much money. The benefit to doing all the movies low budget is we can tell different types of stories and take creative risks. The Purge would have been irresponsible to do for $20M, but to do it for $3M makes sense.
I guess we all had that work ethic. None of us were rock stars, so if you had time in a studio, it was a big, big deal: you're not going to sit around taking drugs and drinking and waste it, you'll do something.
I had a fascination with the back side of the business, and the creative process always fascinated me. Vince gave me an opportunity in '98 to sit in the production meetings. He would talk creative with me, and we had this creative rapport.
Most of the time, the creative part is like playing in a sandbox. I can sit here and work for 12 hours and not get tired of it.
Consensus isn't just about agreement. It's about changing things around: You get a proposal, you work something out, people foresee problems, you do creative synthesis. At the end of it, you come up with something that everyone thinks is okay. Most people like it, and nobody hates it.
When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
Boredom has to be the most life sapping, mental disease you can be afflicted with.The most accurate definition of boredom I have ever heard is this - Boredom is the absence of a creative idea. But there is a simple cure - begin to think immediately of a better way to do something. The creative juices are within you but you must turn on the tap. Those who are bored are not living; they are dying. When their heart stops beating, it will be a mere formality. The best way to do anything has never been thought of. Get on a creative improvement kick and jar others mentally into the same activity.
When Free came together, there was a creative magic around us, something unique and different.
I spent most of the eighties, most of my life, riding around in somebody else's car, in possession of, or ingested of, something illegal, on my way from something illegal to something illegal with many illegal things happening all around me
Mos Def is one of the most creative, intelligent human beings I've had the opportunity to work with. He is fun. The entire time, he would go in and out of different characters, just for the fun of it. Awesome energy.
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