A Quote by Roisin Murphy
I like taking different elements - clothes, shoes, lighting - and creating a total transformation. But it's never about hiding: it's about drawing something out from deep inside of me that's really true. I'm always trying really hard to tell you the truth. That's what this is all about for me.
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I've always been a fan of AXE and when I heard about their new product and they sent it out to me for me to try and smell and I was like, oh man. It's hard for me to talk about something I don't care about or I'm not really into but once I tried it out for myself I was like, wow okay I can get into this [ collaboration].
Certainly if it's something you created, like Gargoyles was for me... on the one hand it becomes you and the other writers as well. It's not like it's a one man band by any means, but at the same time when something's really working, when you've got a group of characters that really are clicking and humming, they begin to tell you what happens next. It just all begins to feel right and that was true about Gargoyles. Not true about every show I ever worked on, but it was definitely true about Gargoyles.
I never really stop and think about should I put my hat on this way or that, not thinking that little JoJo down the street would be copying that. I'm more conscious about it now and tell the kids that it's not about the shoes or what kind of shoes... it's all about the dance.
There is a place deep, deep inside every person that is hidden and hard to find. If things get bad enough and life gets too hard, though, some people will go to that place and never come back from it. Certainly, all outward appearances will suggest otherwise. They will look as they always did. They may even act somewhat like their old selves, but the truth is, the real truth is that they are hiding in this place deep inside where no one can touch or hurt them anymore.
What I like about the Carpenter take on The Thing is the fact that it just has so much suspense. It seemed like a different story, with the horror elements. Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies.
Usually I'm trying to turn something around or turn it inside out and see what's underneath. I know that probably sounds incredibly vague but I never set out to be likeable or funny or anything like that. I'm just trying to tell the story in the best way that I can and serve the writer because it's really about the writer.
So I always think it's important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.
So I always think its important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.
As I say, there's something that scares the hell out of me but it really makes me work hard in losing myself. I'm not really interested in me as an actor or being a personality player, or a Hollywood star. What's given to me is to become different people and to find the truth of that. That is really what I do.
AS SOMBRAS DA ALMA. THE SHADOWS OF THE SOUL. The stories others tell about you and the stories you tell about yourself: which come closer to the truth? Is it so clear that they are your own? Is one an authority on oneself? But that isn't the question that concerns me. The real question is: In such stories, is there really a difference between true and false? In stories about the outside, surely. But when we set out to understand someone on the inside? Is that a trip that ever comes to an end? Is the soul a place of facts? Or are the alleged facts only the deceptive shadows of our stories?
I find it relatively easy to keep my clothes on because I don't really feel like taking them off. It's not an urge I have. For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is. That's putting myself out there, maybe even more than taking my shirt off.
I had a period in my life, maybe a decade or so, in which I was involved in that kind of thing, associating with the elite of various segments of society. It always made me extremely uncomfortable. I couldn't wait to get out of there and change my clothes. The good part about that was getting home and changing into my regular clothes. Taking off the suit and the tie, taking off the tight shoes, and just relaxing. Being away from that stuff. It was stimulating, but I never liked it. I always felt it was a terrible, terrible burden.
It isn't about games, for me, personally, and it never really was. It was about creating something - anything - far bigger than yourself.
I don't mind being labeled as a political songwriter. I've chosen to do that. What really annoys me is being dismissed as a political songwriter. That really pains me, because life isn't all about love; it's not all about politics, either. It's a beautiful mixture of events that absolutely baffle you, and you think, "Why can't I do something about that?", whether those events are in your bedroom, or out there in the wide world. In our daily lives we engage with them at different times, and I'm trying to write about the whole human experience, or my perspective on it anyway.
Being of service is something that really makes me happy. Being able to tell young kids about something they might never have known without meeting someone with my experiences is what really what I feel it's all about. I feel that's the only way that you get fulfillment out of life.
I'm not playing a character. What I'm doing though is taking the worst, most shameful, peculiar, or troubling aspects of my personality. So there are elements of me that are not there. The happy version of me is not really in the show, because there's nothing funny about being happy. So it's more like I'm poaching on the funniest parts of me rather than actually creating some other character.
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