A Quote by Roisin Murphy
Designers become translators for me. That's why I've gone to people like Gareth Pugh and Viktor and Rolf - they are speaking a nuanced language. Fashion says a lot for me.
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When you speak a foreign language, you become someone else. If you aren't used to speaking a language, and you start speaking it again, for the first few sentences you'll find yourself in very strange shape, because you're still the person who was speaking the first language. But if you keep speaking that language, you will become the person who corresponds to it.
I don't think generally speaking, there are a lot of innovators and inventors. Many of the designers take what exists already and update it or make it relevant for today. But true inventors have never been seen before. Bill Gates is a real inventor. I don't think fashion designers invent anything new. They innovate new ways to make fashion.
There's something about the fashion world that I like, which is, I see a lot of the designers really have affection for other designers.
I was educated in London at Central Saint Martins and had this whole thing about getting together with a lot of international students. Twenty-three languages were spoken during our lunch breaks! The school was very open minded, you could do whatever you wanted. Some people loved that freedom, others got lost. Gareth Pugh was a classmate, and so was Peter Jensen.
These days, information is a commodity being sold. And designers-including the newly defined subset of information designers and information architects-have a responsible role to play. We are interpreters, not merely translators, between sender and receiver. What we say and how we say it makes a difference. If we want to speak to people, we need to know their language. In order to design for understanding, we need to understand design.
Tell me, why do former young designers who are now in their middle 40s have to redo the 1960s and 70s. Why they cannot invent fashion for today?
I remember my dad asking me one time, and it's something that has always stuck with me: 'Why not you, Russ?' You know, why not me? Why not me in the Super Bowl? So in speaking to our football team earlier in the year, I said, 'Why not us? Why can't we be there?'
Speaking in Hindi has helped me a lot as I can tell my stories with the exact idiom in which they come to me. I think it also helps the audience when I am speaking in a language that is non-elite, so to say, as my stories are also from that perspective.
Some designers are so airy-fairy people can't connect with them. I hope people can relate to me, to a normal person who just happens to be a fashion designer, that people can take me as they find me. It's not the designer's job to care about what people think. Whatever else I've done, I've never tried to be something that I'm not.
I get a lot of people that are thanking me for speaking out about certain issues. I get people telling me, "If you don't like it here, then there's plenty of other countries to go to," which is hilarious to me. I don't take anything personal. A lot of people are blinded by their love for this country.
Fashion gave me the platform that has made this transition from fashion to Hollywood, from East Coast to West Coast. Fashion gave me the platform that has made this easier than it is for a lot of other people. And I will always count fashion as the industry that was first to welcome me and embrace what I could do.
You can blame my mom for some of my worst fashion moments. She used to dress me and my sister in a lot of patterns. Like, she would put me in striped stockings with a floral dress. Like, why are you doing that to me?
L.A. fashion is like lip injections. That confuses me. That's become not just a thing. It's become fashion, part of your outfit. But hey, to each his own.
For my film 'Fashion,' like an investigative journalist, I went about knowing the people, the models, the fashion designers. Similarly with the corporate world.
Fashion, in a way, has become like pop culture today. With all of the communications and the Internet and the designers doing lines with big brands, it's more popular than it's ever been, but everything is all mixed together. It's become like television or music.
The designers, photographers and models I work with, they are really hard-working people who are devoting their lives to fashion. They're kind of like nuns of fashion.
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