A Quote by Rokia Traore

I've been in contact with music since I was four or five years old through my father, because of the interest he had in music and all his musical skills. I finally managed to make that my profession.
I have been singing gospel music since I was four years old.
My family is very musical, I was surrounded by it. And from four years old I was the one that asked my mother could I take piano lessons... It wasn't forced on me. It was something I wanted to do. And ever since, I've never stopped, I've never stopped playing music. I never went through a period where I didn't want to do it.
Wagner always opens you a second breath, and then you go on, and you are absolutely into his musical world, and you can't stop, and you can listen for four hours, five hours, six hours, and then you are like in his mystical hands of his music. He's such a great poet of music.
Mick Jagger has been an idol of mine since I was 10 years old. Through his music, he has taught me so much about rock n' roll, but also about the blues and about the experience of live music, going to several Rolling Stones shows, growing up.
Music was around in my family in two ways. My mother would occasionally sing to me, but I was mostly stimulated by the classical music my father had left behind. I had an ear for music, I suppose, so that's what began my interest in music.
My debut album is like a collection of work over the past nine or ten years that I've been writing since I was 18-years-old, and when you've had that long writing music you get to select the music that has worked really well.
People have an affinity towards things, and you don't know where it comes from. Mozart wrote a symphony when he was four, so it's said; the theory is maybe because his father was a conductor, it happened in vitro, and he heard the music before he was born, and by the age of four he knew how to write music.
Honestly, I've been excited for music ever since I was 16 years old. I'll always love the music.
I've been riding Valegro since he was four or five years old.
I studied music since I was four years old, and from that moment I became part of a family. And that family has taught me things; not only musical things, but things I have to face in life, and that is where the success of the system lies
I been doing music since I was 15 years old. I found it intriguing, just from liking and listening to music.
My father is a violinist and my mother is a pianist, so I've been hearing music all my life. I started playing at three and had my first music teacher at five.
Music is neither old nor modern: it is either good or bad music, and the date at which it was written has no significance whatever. Dates and periods are of interest only to the student of musical history. . . . All old music was modern once, and much more of the music of yesterday already sounds more old-fashioned than works which were written three centuries ago. All good music, whatever its date, is ageless - as alive and significant today as it was when it was written
Even though I've been an avid consumer of contemporary music since my early teens, the world of rock music has always been at something of a distance - I listen to it, read about it, I talk about it, but I've had little or no contact with its denizens.
One of the things that's happened in the music I love over the past five, 10 years is that some people have gotten very old and continued to make music.
For the first five years of music and first five years of acting, I don't remember it because I was running to where I was going. Finally I was like, 'Man, I missed everything.' So I just stopped, and I started looking around.
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