A Quote by Roland Barthes
The text is a tissue of quotations drawn from the innumerable centres of culture.
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The text illustrates the pictures - it provides a connective tissue for me. I usually refine the text last, partly because pictures are harder to do, so it's easier to edit words - I use text as grout in between the tiles of the pictures.
What culture lacks is the taste for anonymous, innumerable germination. Culture is smitten with counting and measuring; it feels out of place and uncomfortable with the innumerable; its efforts tend, on the contrary, to limit the numbers in all domains; it tries to count on its fingers.
We all have--to put it as nicely as I can--our lower centres and our higher centres. Our lower centres act: they act with terriblepower that sometimes destroys us; but they don't talk.... Since the war the lower centres have become vocal. And the effect is that of an earthquake. For they speak truths that have never been spoken before--truths that the makers of our domestic institutions have tried to ignore.
People are drawn to preaching that is passionate and offered with conviction. Passion comes when the preacher has spent significant time with the text, and when God has spoken through the text in a way that addresses the preacher's life first.
Translation rewrites a foreign text in terms that are intelligible and interesting to readers in the receiving culture. Doing so is akin to committing an act of ethnocentric violence by uprooting the text from the language and culture that gave it life. Translating into current, standard English at once conceals that violence and homogenizes foreign cultures.
The Universe is populated by innumerable suns, innumerable earths, and perhaps, innumerable forms of life. That thought expresses the essence of the Copernican revolution. No revelation more striking has ever come from the scientific mind.
It is a good thing for an uneducated man to read books of quotations. Bartlett's Familiar Quotations is an admirable work, and I studied it intently. The quotations when engraved upon the memory give you good thoughts. They also make you anxious to read the authors and look for more.
With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated polyphony where the text is completely buried. So no, I am not another Orff, and I'm not primitive.
Russia itself is a European country, and not just because our major political and economic centres are in Europe, but because Russian culture is primarily European culture.
Most of the classical citations you shall hear or read in the current journals or speeches were not drawn from the originals, but from previous quotations in English books.
Rees's First Law of Quotations: When in doubt, ascribe all quotations to George Bernard Shaw.
We sometimes think of quotations as extracts from larger texts, but some quotations originated complete unto themselves.
Professional wrestling in Europe is more of a sub-culture. It is not as popular as it is here in the United States. The people that were drawn to it were also people that were into sub-culture, hardcore sub-culture. It is basically an alternative scene that is sub-culture.
Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
A wide range of quotations are necessary for the repertoire of a well-rounded speaker. Quotations are able to illustrate in a few words what is difficult to explain in many.
Not everything that can be extracted appears in anthologies of quotations, in commonplace books, or on the back of Celestial Seasonings boxes. Only certain sorts of extracts become quotations.
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