A Quote by Roland Barthes
It must always be considered as though spoken by a character in a novel
Related Quotes
What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique.
I've always been a fan of the 19th century novel, of the novel that is plotted, character-driven, and where the passage of time is almost as central to the novel as a major minor character, the passage of time and its effect on the characters in the story.
For my part, the good novel of character is the novel I can always pick up; but the good novel of incident is the novel I can never lay down.
Every man should be considered as having a right to the character which he deserves; that is, to be spoken of according to his actions.
Life is a shitstorm, in which art is our only umbrella." (spoken by character in a novel by Mario Vargas Llosa)
Though I'm considered a leading man, I still consider myself a character actor. Because acting, to me, is creating a character, not playing the same thing all the time.
A detective novel should contain no long descriptive passages, no literary dallying with side-issues, no subtly worked-out character analyses, no 'atmospheric' preoccupations. Such matters have no vital place in a record of crime and deduction. They hold up the action and introduce issues irrelevant to the main purpose, which is to state a problem, analyze it, and bring it to a successful conclusion. To be sure, there must be a sufficient descriptiveness and character delineation to give the novel verisimilitude.
Most men appear never to have considered what a house is, and are actually though needlessly poor all their lives because they think that they must have such a one as their neighbors have. ... Shall we always study to obtain more, and not sometimes be content with less?
I first heard the term "meta-novel" at a writer's conference in Tulsa, Oklahoma. The idea is that even though each book in a series stands alone, when read collectively they form one big ongoing novel about the main character. Each book represents its own arc: in book one of the series we meet the character and establish a meta-goal that will carry him through further books, in book two that meta-goal is tested, in book three - you get the picture.
Flowers have spoken to me more than I can tell in written words. They are the hieroglyphics of angels, loved by all men for the beauty of their character, though few can decipher even fragments of their meaning.
Though music was not in my blood, I always considered myself belonging to music, and that remained with me throughout my studies. The studies were my parents' wish, which I fully complied with, as one must be educated at the highest possible level.
Axiom : Novel must have either one living character or a perfect pattern: fails otherwise.
Even though the method of 'Harvest' was a historical novel, its intentions were that of a modern novel. I'm asking you to think about land being seized in Brazil by soya barons. It's also a novel about immigration.
I always considered myself as a character actor. I always try to be versatile to show different sides of human experience.
I've always considered myself a character actor.
The biographical novel sets out to document this truth, for character is plot, character development is action, and character fulfillment is resolution.
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