A Quote by Roland Orzabal

I tend to get quite close to the songs because I've always been the main songwriter. — © Roland Orzabal
I tend to get quite close to the songs because I've always been the main songwriter.
I've always been a singer-songwriter - it started off with me and the guitar, just writing songs, they were very simple. When I got in the studio it took me probably three years to get where I am now - being open to experimenting with new songs, being comfortable with where the songs were headed. I'm happy with where they are because they feel very genuine and authentically who I am.
I think I come under the singer/songwriter badge. I've always written songs right from the very beginning. Because of my style of playing people tend of me more of a guitar player than a singer sometimes.
I always get quite close to my script because I work quite hard on them.
I've never really been nervous about any concerts. I enjoy it so much. All that matters is getting the songs played well, trying to get them to sound as close to the record live, which isn't easy, because my music is quite complicated to play.
I built a reputation as a songwriter in the industry before my own hits. People were used to coming to me for songs. There were songs like 'Clown' and 'Mountains' that were my songs that I wanted to keep. But the record labels saw me as a songwriter. It was hard to get people to believe in me as an artist.
On piano, I tend to write either gospel or singer-songwriter songs, sometimes kind of rocking blues songs. But the more heavier rock stuff I will write on bass.
I'm no songwriter because all of my popular songs have just been outgrowths of themes for the various pictures.
I always like to write the songs, and they get turned loose into the world, and who knows what happens to them. That's the joy of being a songwriter. You get to hear what other people do, interpretation-wise.
People are familiar with my songs, especially through Eric Clapton. But I have a hard time drawing a crowd, because I have been a songwriter.
I always wanted to be in this role, as a songwriter. In the Pumpkins, it was always impossible because Corgan would wake up and write five songs. He was so prolific, there wasn't a lot of room for anyone else.
As a songwriter, I've got a lot of facets, so to speak. When you come to a live show, you get a better sense of that, because you'll see me performing a piano ballad and some acoustic songs and some not acoustic songs, all in the same set.
Once I'd become a songwriter, it just stays with you. You always want to write more songs because it's such a great feeling.
I think my legacy is important because my songs - perhaps more than those of any other songwriter I know - cover every movement from 1965 on, socially and artistically. If you want songs about ecology, I've got ecology songs; if you want songs about spirituality, I've got spiritual songs.
I don't think I was ever designed to be a ubiquitous worldwide star. I'm a singer-songwriter writing quite personal songs. You're not supposed to chuck me on a stage with bells and whistles. There was a struggle ahead after that happened, and perhaps I was trying to write songs to compete in that arena.
I'm more of a songwriter. I love writing songs. I love writing my songs. It's always been writing for me, and it makes it different when you're writing for yourself.
We've had musical stuff in the show [South Park] forever. That's mostly because Trey's a big musical fan, and he's a great songwriter. He's been writing songs his whole life. So since the beginning, we've always put a lot of musical moments.
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